Landless Workers Movement, 2022

Série | The Landless Workers Movement (MST), founded in 1982, has three objectives: to fight for land, for agrarian reform and for social change in the country.

Dear Soldier, 2022

Series | On the 9th of December, 2022 : Le Monde's journalist Ariane Chemin and Guillaume Herbaut found a hundred letters sent by Russian students to Russian soldiers fighting in Ukraine. The letters reveal the propaganda orchestrated by Moscow.

Untitled stories, 2022

Series | In the still light, a story is written, an unknown story, an untitled story. These hypotheses of life, fragments, are nothing more than a distancing, a way of thinking about the inaccessible real.

Gabinete de curiosidades, 2022

Series | Composed of objects loaded with symbols in the places of his childhood, now abandoned and almost in ruins, the images of Gabinete de Curiosidades explore the personal universe of Juan Manuel Castro Prieto.

Spitzbergen, 2015-2022

Series | A document on the little known role of scientists who come to observe and try to understand global climate change on the small Norwegian island of Spitzbergen, in the town of Ny Alesund, 1000km from the North Pole.

Border workers, pendular lives, 2022

Series | The social crisis linked to the end of the steel industry has left Lorraine economically drained region whose workers have had no choice but to turn to neighboring Luxembourg. An immersion in in this region, to draw up the outlines of a typology of border workers.

The lost sailors, 2022

Series | A testimony on the daily life and the difficult working conditions of the fishermen of Boulogne-sur-Mer, who live at the rhythm of the fishing seasons and the twists and turns of the Franco-British agreements.

Zoonose, 2022

Série | It’s a dystopian world, a wold of machines, of humans disguised as cosmonauts. A world where people die without seeing their loved ones, without touching a hand, without glimpsing a face.

The Island of Saudade, 2014-2022

Series | A long-term immersive work in Brazil, focusing on the margins of the cities of Rio de Janeiro, Sao Paulo and Brasilia, which paints a portrait of a country riddled with doubts and disenchantment.