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Photographers, where are they ?

Interview : Magali Lambert

Magali Lambert nous parle de son travail et de son exposition Venus du jamais mort.
A découvrir à la Galerie VU' jusqu'au 27 octobre 2018.

Video : Bruno Boudjelal
Book : Mahesh Shantaram
Serie : Pieter Ten Hoopen
Photography Workshops
in Paris
Claudine Doury
Réaliser un projet photographique à long terme

Un projet de Bruno Boudjelal et Rodolphe Risse Installation vidéo réalisée à partir de films faits avec des smartphones par de jeunes adultes au cours de trois ateliers effectués en France à Marseille (quartier de Frais Vallon), et en Allemagne à Neustadt et Mannheim (quartier de...

Mahesh Shantaram explores the problematic underpinnings of Indian weddings All that is great about a country and all that is wrong with it can be summarised by a single wedding, says Indian photographer Mahesh Shantaram and member of Agence VU. In his documentary work, he mostly studies the...


Every year, an estimated two million girls give birth before they turn 15. Young girls face the greatest risk of complications from pregnancy and childbirth - yet they are often invisible in statistics and excluded from development interventions. It is estimated that 2 million girls under the...

4 sessions d’octobre 2018 à juin 2019 & 3 rendez-vous individuels

Guinean constellation
Serie : Mahesh Shantaram
Venus du jamais mort
From 2018-09-14 to 2018-10-27
Exhibition : Magali Lambert
From 2018-10-06 to 2018-10-27
Exhibition : Stéphane Duroy
The Sino-Russian border, an uncommon relationship
Serie : Davide Monteleone

On the occasion of the 60th anniversary of Guinea's independence, Mahesh Shantaram, commissioned by the International Federation for Human Rights (FIDH), went to Conakry. The port capital of Guinea, an economic and political center, has a population of nearly two million. Free of prejudice,...


Magali Lambert brings the missings back to life. Demiurge of a whimsical and poetic universe, she exhumes and pulls from oblivion neglected objects to breathe life into them through the encounters she provokes. With her series of Wonders (Spain, Belgium, France) inspired by curiosity cabinets,...


Following the footsteps of European refugees, Stéphane Duroy turns to their host country, the United States, the receptacle of a collective memory fleeing the stigmas of his past. From New York to Montana, he then followed the steps of immigrants who had arrived in the Promised Land in search of...


The world's most populous country and the world's largest country, both permanent members of the UN Security Council, share a common border. The Sino-Russian border is one of the longest in the world, over 4300 km long, and stretches from eastern China to North Korea. Over the years, and since the...

Pigalle People. 1978–1979
Book : Jane Evelyn Atwood
Il Cretto Grande
Book : Massimo Siragusa
A Siberian Odyssey
From 2018-10-27 to 2018-11-25
Exhibition : Claudine Doury
Momentum, la mécanique de l'épreuve
Book : JR

It is 1978 in Pigalle. Jane Evelyn Atwood, a young American, has been in Paris for a few years. She’s just completed her very first photo story about the prostitutes in town, in which she asserts from the beginning what will remain the fundamentals of her practice: long-term involvement, immersion,...

The sense of suspended times and perfection that radiates from his earlier works places Siragusa's research on Burri's Cretto in a kind of continuity. But new elements are blatantly emerging. As if the impact with Burri's work aroused such strong emotion that it made it possible to determine a...


Winner in 2017 of the Marc Ladreit de Lacharrière Photography Prize in partnership with the Académie des beaux-arts for her project \"A Siberian Odyssey\", Claudine Doury presents the work she has accomplished throughout this year as part of the Prize. \"A Siberian Odyssey\" is the story of a...

Extrêmement prolifique ces dernières années, le travail de JR touche un nombre croissant de disciplines comme la photographie, les arts visuels, le cinéma ou le spectacle vivant. Douze ans après avoir autorisé JR, alors inconnu, à coller des portraits sur le mur de son entrée, la Maison Européenne...

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