Series
Thursday, 3:00 pm, 1996
Series | Thursday, 3:00 pm, covers two years of photographic portraits of a young man, Xavier. For two years, 95 meeting, and until his death, Xavier and I met every Thursday at 3 p.m.
Anvers / Valparaiso, 1996
Series | Antwerp-Valparaiso is the journey I undertook to return to Chile after 22 years in France.
Cuba, 1996
Serie | This photographic portrait of the Havana has been done during several trips between 1996 and 2000.
Twins, 1996
Série| Remus and Romulus, Castor and Pollux, twins are recurring characters in mythology and continue to fascinate the "singular" today.
Blurred Pictures of Homeless people, 1996
Olivier Coulange made many reports on the harsh reality of the homeless. Through blurred portraits, he testifies to the daily life of these anonymous people, who live and sleep on the sidewalks of increasingly impersonal cities.
Japan, 1992-1995
Series | Result of several trips in the Japanese archipelago, this work reflects the photographer’s liking for the lightness and tranquility specific to the land of the rising sun.
Nimulé, 1995
Why do you say South Sudan? Why are you telling me things that I don’t understand, that I don’t know, that I’ve never heard of? More refugees, more displaced people, war again, weapons, children in distress.
Poverty, 1995
If the “Rue des Lombards” was her "school of photography", Jane Evelyne Atwood continues to work on the street. Fascinated by people and by exclusion, she has photographed the homeless of the capital, always with deep respect for others and with empathy.
Argentina - Women in Jail, 1993
Serie | The prison life is, in collective imaginary, an environment deeply masculin, virile, and even chauvinist. Yet, many women are imprisoned in the world. How do they conciliate their confinement and their woman, mother, and wife’s life?
Adriana Lestido documents this taboo issue and submerges us in a little-known environment.
The Silence, And Nothing Around, 1994
By organizing, on white sheets, the dialogue between photographs captured in everyday life of this wartime and the words emerging from this wartime situation, we do not claim to add a new stone to the factual narrative.
Princess Hannah, with the homeless, 1989-1994
Few photographers have had the courage and constancy of Olivier Coulange who, since 1989, has been accompanying the homeless, watching them debate and testifying while living with them, in the Salvation Army and in the streets.
On the Line, 1994
It was on the border line between Belgium and France that, from 1992 to 1994, Michel Vanden Eeckhoudt cast an ironic but rarely solicitous eye on his fellow men.
The zoological reference collection, 1994
Series | The museum exercises a major patrimonial function - to acquire, conserve, restore, manage and exhibit very important national collections of documents and natural history.
Canne Film Festival, 1994
Serie | Cannes is a dream coming true for two weeks every year. And as in every dream, there are always people in the shadow to make it exist.
Cannes Film Festival - portraits, 1994
Serie | Cannes is a dream coming true for two weeks every year. And as in every dream, there are always people in the shadow to make it exist.
Habibi Cairo, 1994
These faces of children, men and women, imprints of poetry and affection take us to the neighborhoods where these families live. The delicate and sensitive eye of a photographer craves for meaning beyond the mundane.
Cairo, 1994
Between Denis Dailleux and Cairo, it is a true love story : on one side, an insatiable fascination for this unique place, its mood, its magical lights and an unspeakable tenderess towards its inhabitants
The Peasants, Switzerland, 1994
Serie | This work on peasants comes from afar. It is an opportunity for Hugues de Wurstemberger to recall how much his work is determined by his childhood, his family, the land of the mountain pastures with which he has an almost carnal relationship.
Chanel's Workshops, 1993
In the heart of the Chanel haute couture workshops in Paris.
Miners of Carmaux, 1993
Series | Miners of Carmaux are nationally known for the social movements they initiated and their importance in history.
Out of Frame, 1993
Under the light of a neon light, an outstretched hand brushes the headdress of a woman with sidelong gaze, one of the characters in The Fortune Teller, painted by Georges de La Tour three centuries ago.
Journey at Setif (1993-1999)
I was always convinced that I was from here until one day in May 1993 when I found myself in Algeria. I had gone there with a total ignorance of what was happening there. I wanted to cross the country from east to west and try to find my family. My father, with whom I had an appointment the day before my departure so that he could give me information, did not come.
In march for Behring, 1993
Serie | Françoise Huguier brings back to us from the Far North her photographs and her travel notes from Siberia.
Romania, the Kids on the Pavement, 1992
For the kids on the pavement, the journey ends in a deadlock. Life outside is rough. Many people have gotten lost in drugs. With few exceptions, they find themselves with no future other than bumming or prison.
Schools of Paris, 1992
At the heart of Parisian schools, Agnès Bonnot photographed the daily life of students from kindergarten to high school.
The Scriptures, 1991-1992
The pleasure to say is differente from the pleasure to show, to say in one's own words, the words of your unique language.
The news « City of God », 2016
Serie | Immersion on the outskirts of Rio, in the Colônia Juliano Moreira, one of the many social neighborhoods built from 2009 to rehouse the inhabitants of the favelas.
NNIPAS, 2016
Serie | The NNIPAS project (acronym of “Nous N'Irions Pas Si” “We would not go if”) is written by several hands (photographer, illustrator, writer - the images presented here are all by Vincent Catala).
Harbor City, Los Angeles, 2016
Guillaume Zuili continues his work in the footsteps of the American myth he has tirelessly immortalized for over fifteen years in the neighborhoods of Los Angeles: Harbor City, Wilmington or San Pedro.
Paris Fashion Week, 2016
Série | Paolo Verzone was on site for Liberation, to share the backstages and podiums of this event.
Poland, 2016
Series | In 2016, I set off to explore Poland, after a conversation I had with a Polish friend, who was wondering about the future of her country.
Roses, 2016
Series | In "Roses", Brooke DiDonato uses wax and skin as her main elements.
On the edge of Afghanistan, 2016
Series | In Nimruz, a South-West province of Afghanistan, more than 200 000 Afghans have crossed the Iranian border in 18 months in spite of...
California Dream, 2016
Serie | California Dream is an invitation to travel in the mythical world of the Californian surfers from the 60's.
Those who leaves, 2016
Serie | With eight children by woman, Nigeria has the world's highest natality birthrate and is the 6th poorest country in the world.
In the Russian East, 2016
« In the Russian East » is an echo to the work of Richard Avedon, “In the American West” (1985), Considered as a master-piece of the photography history, this work gathers a series of “ordinary people” from the West, (West-ranchers, barmaids, gamblers, tramps, to do make their portraits.