Poverty, 1995

If the “Rue des Lombards” was her "school of photography", Jane Evelyne Atwood continues to work on the street. Fascinated by people and by exclusion, she has photographed the homeless of the capital, always with deep respect for others and with empathy.

Argentina - Women in Jail, 1993

Serie | The prison life is, in collective imaginary, an environment deeply masculin, virile, and even chauvinist. Yet, many women are imprisoned in the world. How do they conciliate their confinement and their woman, mother, and wife’s life?
Adriana Lestido documents this taboo issue and submerges us in a little-known environment.

The Silence, And Nothing Around, 1994

By organizing, on white sheets, the dialogue between photographs captured in everyday life of this wartime and the words emerging from this wartime situation, we do not claim to add a new stone to the factual narrative.

Princess Hannah, with the homeless, 1989-1994

Few photographers have had the courage and constancy of Olivier Coulange who, since 1989, has been accompanying the homeless, watching them debate and testifying while living with them, in the Salvation Army and in the streets.

On the Line, 1994

It was on the border line between Belgium and France that, from 1992 to 1994, Michel Vanden Eeckhoudt cast an ironic but rarely solicitous eye on his fellow men.

The zoological reference collection, 1994

Series | The museum exercises a major patrimonial function - to acquire, conserve, restore, manage and exhibit very important national collections of documents and natural history.

Canne Film Festival, 1994

Serie | Cannes is a dream coming true for two weeks every year. And as in every dream, there are always people in the shadow to make it exist.

Cannes Film Festival - portraits, 1994

Serie | Cannes is a dream coming true for two weeks every year. And as in every dream, there are always people in the shadow to make it exist.

Habibi Cairo, 1994

These faces of children, men and women, imprints of poetry and affection take us to the neighborhoods where these families live. The delicate and sensitive eye of a photographer craves for meaning beyond the mundane.

Cairo, 1994

Between Denis Dailleux and Cairo, it is a true love story : on one side, an insatiable fascination for this unique place, its mood, its magical lights and an unspeakable tenderess towards its inhabitants