Christer Strömholm's images of children, so far removed from the charm and anecdote that made the success of "French romanticism" so successful, are both generous and respectful and of infinite sadness.
Strömholm is very interested in art history and is very close to contemporary artists. He makes numerous portraits and discovers that he possesses a particular talent « to break through the shell of the artists ».
https://agencevu.com/wp-content/uploads/2019/11/00_02_STROM13622-1960NB0006-copie.jpg290223Fanny Demichelis/wp-content/uploads/2021/05/logo-vert-2.svgFanny Demichelis1962-11-20 18:00:282021-05-11 10:28:41Portraits of Artists, 1962
Virxilio Vieitez had models posed outdoors because he found the studio boring and he installed them firmly to compose images that he immortalized by saving film to the point of never taking more than two shots of the same motif.
Series | This is a book about insecurity. A portayal of those living a different life in the big city of Paris, of people who endured the roughness of the streets.
https://agencevu.com/wp-content/uploads/2019/11/00_06_06_STROM18296-1969NB05-copie.jpg290410Fanny Demichelis/wp-content/uploads/2021/05/logo-vert-2.svgFanny Demichelis1954-08-20 17:47:052021-04-01 18:04:23Les amis de la Place Blanche , 1954
Series | Between 1950 and 1953, Strömholm joined up the Fotoform group led by Otto Steinert. He had the assumed mane of Christer Christian and was took part in the Subjective Fotografie collective exhibition”.
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