Series
Durban, South Africa, 1996
Serie | The Inkata was based in this huge port set in on the shore of Indian Ocean, in South Africa, where White, Bantous et Indians coexist.
500 coups, 1996
Due to Madagascar's social structure and the disastrous state of it's economy (ranked amongst the world's poorest countries), more and more children have no choice but to live in the street.
Thursday, 3:00 pm, 1996
Series | Thursday, 3:00 pm, covers two years of photographic portraits of a young man, Xavier. For two years, 95 meeting, and until his death, Xavier and I met every Thursday at 3 p.m.
Anvers / Valparaiso, 1996
Series | Antwerp-Valparaiso is the journey I undertook to return to Chile after 22 years in France.
Cuba, 1996
Serie | This photographic portrait of the Havana has been done during several trips between 1996 and 2000.
Twins, 1996
Série| Remus and Romulus, Castor and Pollux, twins are recurring characters in mythology and continue to fascinate the "singular" today.
Blurred Pictures of Homeless people, 1996
Olivier Coulange made many reports on the harsh reality of the homeless. Through blurred portraits, he testifies to the daily life of these anonymous people, who live and sleep on the sidewalks of increasingly impersonal cities.
Japan, 1992-1995
Series | Result of several trips in the Japanese archipelago, this work reflects the photographer’s liking for the lightness and tranquility specific to the land of the rising sun.
Nimulé, 1995
Why do you say South Sudan? Why are you telling me things that I don’t understand, that I don’t know, that I’ve never heard of? More refugees, more displaced people, war again, weapons, children in distress.
Poverty, 1995
If the “Rue des Lombards” was her "school of photography", Jane Evelyne Atwood continues to work on the street. Fascinated by people and by exclusion, she has photographed the homeless of the capital, always with deep respect for others and with empathy.
Argentina - Women in Jail, 1993
Serie | The prison life is, in collective imaginary, an environment deeply masculin, virile, and even chauvinist. Yet, many women are imprisoned in the world. How do they conciliate their confinement and their woman, mother, and wife’s life?
Adriana Lestido documents this taboo issue and submerges us in a little-known environment.
The Silence, And Nothing Around, 1994
By organizing, on white sheets, the dialogue between photographs captured in everyday life of this wartime and the words emerging from this wartime situation, we do not claim to add a new stone to the factual narrative.
Princess Hannah, with the homeless, 1989-1994
Few photographers have had the courage and constancy of Olivier Coulange who, since 1989, has been accompanying the homeless, watching them debate and testifying while living with them, in the Salvation Army and in the streets.
On the Line, 1994
It was on the border line between Belgium and France that, from 1992 to 1994, Michel Vanden Eeckhoudt cast an ironic but rarely solicitous eye on his fellow men.
The zoological reference collection, 1994
Series | The museum exercises a major patrimonial function - to acquire, conserve, restore, manage and exhibit very important national collections of documents and natural history.
Canne Film Festival, 1994
Serie | Cannes is a dream coming true for two weeks every year. And as in every dream, there are always people in the shadow to make it exist.
Cannes Film Festival - portraits, 1994
Serie | Cannes is a dream coming true for two weeks every year. And as in every dream, there are always people in the shadow to make it exist.
Habibi Cairo, 1994
These faces of children, men and women, imprints of poetry and affection take us to the neighborhoods where these families live. The delicate and sensitive eye of a photographer craves for meaning beyond the mundane.
Cairo, 1994
Between Denis Dailleux and Cairo, it is a true love story : on one side, an insatiable fascination for this unique place, its mood, its magical lights and an unspeakable tenderess towards its inhabitants
The Peasants, Switzerland, 1994
Serie | This work on peasants comes from afar. It is an opportunity for Hugues de Wurstemberger to recall how much his work is determined by his childhood, his family, the land of the mountain pastures with which he has an almost carnal relationship.
Chanel's Workshops, 1993
In the heart of the Chanel haute couture workshops in Paris.
Miners of Carmaux, 1993
Series | Miners of Carmaux are nationally known for the social movements they initiated and their importance in history.
Out of Frame, 1993
Under the light of a neon light, an outstretched hand brushes the headdress of a woman with sidelong gaze, one of the characters in The Fortune Teller, painted by Georges de La Tour three centuries ago.
Journey at Setif (1993-1999)
I was always convinced that I was from here until one day in May 1993 when I found myself in Algeria. I had gone there with a total ignorance of what was happening there. I wanted to cross the country from east to west and try to find my family. My father, with whom I had an appointment the day before my departure so that he could give me information, did not come.
In march for Behring, 1993
Serie | Françoise Huguier brings back to us from the Far North her photographs and her travel notes from Siberia.
Romania, the Kids on the Pavement, 1992
For the kids on the pavement, the journey ends in a deadlock. Life outside is rough. Many people have gotten lost in drugs. With few exceptions, they find themselves with no future other than bumming or prison.
Schools of Paris, 1992
At the heart of Parisian schools, Agnès Bonnot photographed the daily life of students from kindergarten to high school.
The Scriptures, 1991-1992
The pleasure to say is differente from the pleasure to show, to say in one's own words, the words of your unique language.
For a Few Stars…, 1992
From 1992 to 1995 I followed groups of teenagers from the Jules Ferry high school in Paris in their daily life. High school; friendship, groups, music, sports, family, parties. As close as possible to them, in immersion, I told this brief story of adolescence.
Portraits, 1992
Selection of portraits made by Roland Allard
Idols and Sacrifices, 1989-1991
Idols and Sacrifices mark the end of a long cycle of abstraction, idealisation, that had led from the first pleasant times on the beach to the gold haze of the Chambers.
Animae, 1991
Series | This work is a look at animality and more particularly at this extremely tenuous thread that separates it from humanity. This narrow, fragile border, where man recognizes himself in the animal and vice versa.
Shadow in Japan, 1991
Series | From the reading of Tanizaki's essay, "The praise of the shadow" to a travel to Japan.
Naples, un hiver, 1991
Serie | Any city in its image and, increasingly, cities, like entire parts of the planet, are disappearing behind the images that are supposed to reflect it.
Sur les traces de l’Afrique fantôme, 1990
Serie | Between May 1988 and January 1990, the photographer François Huguier went through the Dakar-Djibouti Mission which crossed Africa from West to East from May 1931 to February 1933.
The clinic Esquirol, Saint-Hilaire, 2007
In the often very impersonal universe of clinics, Christophe Goussard is tracking down those little gestures that are the link between two human beings. To the technicality and the growing place of the machine, the photographer is opposing the human work in the hospital environment.
The time after, 2007
Série | All the photographs have been taken, those that may not have been yet are being taken right now by the millions of lenses that record everything, anonymously, the world over.
Succeed or Die, 2007
Rip Hopkins spent ten days in Behren-lès-Forbach, the poorest of the 500 poorest cities in France, according to a study by the Ministry of the City...
UNKNOWN, 2007
Serie | The aim of this work, after the tragedies of Europe in the twentieth century, to consider America as a welcoming place, a receptacle of dramas of old Europe, optimistic transposition of misery, the brutality of war and revolutions.
Rockabilly (portraits), 2007
These ‘photo booth’ portraits were created in small makeshift studios during the Fifties Fair at Rose Seidler House and backstage at GreazeFest in Brisbane in 2007.
Rockabilly, living the 50's in Australia (2004-2007)
Serie | The 1950’s were an exuberant decade that saw the birth of rock’n’roll, new fashions and social mores, and a breakaway generation who were the first to be known as teenagers.
At the turn of the 21st century there are some for whom the 1950’s never died...
Car crashes in Buenos Aires, 2007
Series | Diego Levy daily captures car accidents in Buenos Aires.
La Lumière des jours, 2007
Series | Over the seasons Sophie Chivet has seized the forms, the light, the wind that gently makes grass move.
Haute Couture, 2007
It's all about the autumn-winter 2008 haute couture collections presented in Paris this summer. At the Orangerie de Versailles, Dior is showing paintings by the great masters and courtesans of the court of Louis XIV.
Sao Tomé & Principe, Gabon, 2007
It's a small archipelago, right on the Equator line, off the Gabonese coasts. Sao Tome & Principe is the smallest state of Africa, with a little less than 300,000 inhabitants.
Rites de Passages, 1999-2007
Serie | “Rites of Passage” is a collection of photographs that explores adolescent rites of passage, during the time of a party, through different communities in Northern Europe, Russia, the United States and Cuba.
Kitezh, the Invisible Town, 2007
Series | The year 1200 the city Kitezh in Russia got attack by the Mogul army. Under the attack the city became invisible. From this day no one knows where the city and its people went. Once a year people from all over Russia come to visit this place.
Mexique, Mar
Serie | I take pictures of the seaside as a place full of paradoxes...
Loulan Beauty, 2007
Serie | This is a story of a slow disappearance, into the sand and in time. The end of a world, a trip through post-soviet central Asia and Xinjiang province in China.
The Cannes Film Festival, Kingdom of Aesthetics, 2007
Cinema? A little. Moviegoers? Not many. Cameras? Yes. Television? Very much so. Actors? Yes. Singers? Also. Models? In jacuzzies.
And? Journalists, photographers, marketing, markets, walks, interviews, photo-shoots, photo-calls, jewelers, business, cigars....
Leisure Time, 2007
Serie | Amusement parks, cruise ships in the Mediterranean, water parks, are miniature worlds to explore. Places often without identity frame the search for moments of relaxation to cure the stress of work produced by contemporary societies.
So Blue, So Blue : Edges of the Mediterranean, 2007
Series | Ad Van Denderen spent the past 5 years photographing in every country along the Mediterranean Sea.
Esthetique is Beautiful, 2007
Series | (Images that may offend the sensibilities of visitors.) It is usually said that taking care of oneself is a sign of respect towards other people. Seeing the prosperity of cosmetic companies, clothing industry or plastic surgery clinics, it seems like the rich have never shown more respect towards each other.
Climate refugees, 2007
In the past ten years, farmers like Hatem Ali have had to dismantle and relocate their tin and bamboo houses at least five times to escape the invasive waters of the huge Brahmaputra River in Kurigram.
Sweet Nothings, 2007
Serie | These dresses with their lace collars and sweet messages embroidered on the bodices, were the symbol of the Turkish state, but the girls who wore them were simply little girls...
Euromed District in Marseille, 2007
This work was commissioned by the National Fund of Contemporary Art, by the Provence-Alpes-Cote d'Azur DRAC and by Euromed public urban planning In Marseilles.
Face 2 face, 2007
Serie | The Face2Face project is to make portraits of Palestinians and Israelis doing the same job and to post them face to face, in huge formats, in unavoidable places, on the Israeli and the Palestinian sides.
Business aviation on Democratic Republic of Congo, 2007
Series | With only 300 miles of paved roads, the Democratic Republic of the Congo (a country roughly the size of Western Europe) is dependent on its aircraft, regardless of the planes' safety records or sturdiness...
Selection Photo Poche, 2007
« The look of Michel Vanden Eeckhoudt is sharp and penetrating, tender, mysterious, funny sometimes, it is the look of a man who looks at the world and finds more questions than answers.» Francine Deroudille
Hungry Horse, 2007
Series | During a cold winter in the year 1900 two horses ran away. The horses were named Tex and Jerry and lived in the wilderness. After a month the horses returned dying of hunger.
Political Landscapes, France, 2007
Series | The French presidential campaign brings about a lot of electoral rallies where medias, candidates and campaigners meet and exchange.
Bitter Frontiers, 2007
Series | On July 12, 2006, following the capture of two Israeli soldiers by the Hezbollah Shiite militia, Israel launched during 34 days, an intense bombing campaign in Lebanon.
The dead River, Rio Doce – Brazil, 2018
Serie | In Regencia, a small Brazilian seaside area, the tragedy in which a toxic mud ravaged the Rio Doce River, haunts the city and the entire shores of the river.
Meet the Puteens, 2018
In the month leading up the 2018 presidential election in Russia Davide Monteleone and Noah Sneider (Moscow’s Bureu Chief for The Economist) teamed up to interview dozens of 18-year-olds across Russia.
Mother Nature, Alberta – Canada, 2018
Serie | Alberta occupies a special place on the map of Canada. Because this Province of the west covered with lakes and forests, is also abundant in oil.
Clément under the same sky, 2018
Serie | Over time, images build a memory, a story. In the ones I gather here, thirteen years separate the first photo from the most recent one. When my son Clément appears in "Arles, 2004", he is 4 years old. He is 17 in "The Hague, 2017". This series is dedicated to him.
Open Stage, 2018
Series | “While living in urban environments, I find myself searching out small pockets of nature within the city to create my work”
Makeshift Camp, 2018
Series | Not without pain, I was able to cross over the fortifications, the iron belt, that kept me apart from wealth. And I have became skilled in the way of building short-lived resorts. I would give as an example these works scattered along the way of my pilgrimage.
Guajiros, 2018
Serie | With Guarijos Pierre-Elie de Pibrac offer a gallery of portraits of sugar workers in the Cuban
Le Temps de l'immaturité, 2018
Series | Series initiated in Lodz, Poland in 2018, that explores the reality of polish youth, whose bodies are in the grip of the discomfort of political, social and introspective tensions.
Unelikely Pictures, 2018
Series | I was born into a family where the paintbrush, the camera and the making of small black and white films was something normal. My parents were the first to push me in this direction when I was very young.