Border workers, pendular lives, 2022
Series | The social crisis linked to the end of the steel industry has left Lorraine economically drained region whose workers have had no choice but to turn to neighboring Luxembourg. An immersion in in this region, to draw up the outlines of a typology of border workers.
The lost sailors, 2022
Series | A testimony on the daily life and the difficult working conditions of the fishermen of Boulogne-sur-Mer, who live at the rhythm of the fishing seasons and the twists and turns of the Franco-British agreements.
Zoonose, 2022
Série | It’s a dystopian world, a wold of machines, of humans disguised as cosmonauts. A world where people die without seeing their loved ones, without touching a hand, without glimpsing a face.
Political billboards, 2022
Series| Vincent Catala documents Bolsonarist propaganda billboards featuring the far-right candidate's campaign themes during the 2018 presidential election in Brazil.
God Will Open the Sea, 2022
Series | In Rabat, a place where old and new migrants meet, house churches are emerging. A few dozen faithful meet to pray, discuss and exchange on life projects in and outside Morocco.
Au désert. Népal-Qatar, le Vide et le vide, 2022
Série | A powerful document on the lives of migrant workers in Qatar, as the football World Cup gets underway
Presidential elections in Brazil
Série | For the daily newspaper Le Monde, Francisco Proner followed the presidential elections from the launch of the campaigns to the victory of President Lula on October 30.
The river ran black, 2020-2022
Series | My father grew up in these narrow valleys surrounded by mountains, where the river ran black and where the sound of the siren announced the descent of the workers into the depths of the Earth.
Déplacé.e.s, Mauritanie, 2022
JR se rend dans un camp de réfugiés à Mbera, et y dévoile le portrait du jeune Jamal imprimé sur une bâche de 45 mètres de long, que les adultes et les enfants de Mbera l’aident à porter à travers le paysage désertique.
Déplacé.e.s, Rwanda, 2022
En 2022, JR se rend dans le camp de réfugiés Mugombwa, en Ukraine, et y révèle le portrait géant de Thierry, déployé avec l’aide des habitants.