With this series of portraits of workers, which the photographer poses frontally and integrates by a game of superimposition in their factory, Olivier Coulange questions both the worker's condition and the ambivalent relationship that these subjects have with their work tools.

Series | This recurring confrontation with death, the loneliness of the dead, the absolute desolation of the corpse − all of these elements would be impossible to overcome without the mechanical and mindless gesture of a photographer.

Munem Wasif has photographed a blurred boundary between Bangladesh and India with a dispassionate and systematic approach that mimics investigation, topographic study, geological survey or a simple aesthetic search.