Tangiers, at the crossroads of Europe and Africa
series | The American writer Paul Bowles called it the "Dream City" in his Memoirs of a Nomad. Unloved under the reign of King Hassan II, the third Moroccan city in terms of population has regained its place in the Cherifian kingdom, and is experiencing a new economic, cultural and tourist revival.
Kenya, climate change, 2021
series | Cyril Zannettacci went to Kenya, in the Isiolo region, to witness the consequences of climate change in an already extreme environment.
Locust invasions, drought, as well as floods have recently increased in the country.
Chad, climate change, 2021
series | The Kanem region of Chad - and more broadly the southern Sahel - is increasingly affected by drought and the subsequent water stress.
Nothing to Write Home About, 2021
series | "Nothing to Write Home About" is a series of self-portraits exploring the loss and subsequent redefining of home. Straddling the line between mundane and absurd, each image deconstructs a personal experience and depicts the photographer's understanding of home as a place of both comfort and turbulence.
Cabaret, 2021
Série | « Willkommen, bienvenue, welcome!
Im Cabaret, au Cabaret, to Cabaret! »
Impulses, 2021
series | This series is a reflection on visual pleasure. On the power of images to awaken desire and passion.
Prises de tête, 2021
series | Selection of personalities' portraits made between 2013 and 2021.
Botanical Garden, Rio de Janeiro 2021
series| Away from the noise and violence of the Brazilian megalopolis, Rio de Janeiro's botanical garden is home to 22,000 plants and trees from all over the world, as well as numerous animal species.
Afghanistan in the hands of the Taliban, 2021
series| On 15 August 2021, the Taliban entered Kabul. The Afghan capital has returned to the hands of the insurgent group after 20 years of American presence, after a rapid advance that nothing and no one was able to stop.
À côté, 2018-2021
Series | À côté is a photographic approach to the body in the "Almost there". The body, omnipresent in my work, tends here to reflect on presence through its absence.