Series
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Brésils - Sao Paulo, 2008-2011
Series | Ludovic Carème focused his gaze on a small favela, Agua Branca, and, in an approach radically inscribed in the tradition and aesthetics of documentary photography, he simply invites us to observe.
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The Moscow Project, 1991-2011
Series | A camera can be a time machine. This has become the backbone of the Moscow portrait series, a collaboration between two photographs spanning two decades.
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The Zone, 2011
Série| “There, in front of me, I can see the bridge covered in snow, the blue-tinged light at night, and wolf tracks. I have been in the Chernobyl exclusion zone for two days. I never wanted to go back. I am both attracted and repelled."
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Wanawake, Being a Woman in Congo, 2011
Series | Every minute in the world a woman dies of childbirth. 99% of these women live in developing countries. More than half of them live in sub-Saharan Africa.
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Festival Jane Austen, Australie, 2011
Serie | Two hundred years ago was the first time Jane Austen’s “Sense and Sensibility“ was published. For the past 4 years, an offshoot of the famous Jane Austen Festival in Bath (England) has been held in April in Canberra, the Australian capital...
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Extimacy, craving for visibility, 2011
Serie | What are those who broadcast their image on the Internet through webcams looking for? And what do those who watch them get out of it?
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New York City, 2011
In 2011, Franck Ferville walked the streets of New York City, capturing some iconic images of the city that never sleeps.
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Libya unrest, 2011
Once upon a time there was a revolution… It is the story of a people delving into war, the moment they chose to take arms against their tyrant to defend their freedom.
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Safe from nothing, 2011
Serie | 3,6 million of people in France are living in situation of acute poor housing. 10 million of them can tipped at any time. More than 5 000 children are affected by lead poisoning.
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Smoke & Mirrors, 2011
Serie | To impress these complex sentiments that combine contemplation and decoding, comprehension and reverie, Guillaume Zuili resorts to the most photographic aspect in image production: the print.