Series - Agence VU'

Horses, 1985

Through Black and White pictures and square format, the envy of framing and creating movement inside the square, she manages to balance the natural rigidity.

From the documentary photography, Michel Vanden Eeckhoudt was led to collaborate widely with the press and very early on he began his personal work with ensembles dedicated to the "Belgian Competitions".

Michel Vanden Eeckhoudt séries

Zoologies 1982

Animals generally have the misfortune of being the ones to whom no one asks their opinion. There are many ways to measure progress (or progress), including the pessimistic view of denying the existence of the world u progress in the history of the planet.

Hugues de Wurstemberger séries

The Swiss Guard, 1981

Serie | The Corps of the Pontifical Swiss Guard as part of the Military of the Vatican City is an exception to the Swiss rulings of 1874 and 1927.

Gérard Rondeau séries

The Chemin des dames (1981-2003)

In 1981, Gérard Rondeau began working alongside French writer Yves Gibeau in the harsh landscapes of the Chemin des Dames, staging ground of several major battles that took place during WWI.

Christian Poveda séries

Hermanos de America, 1980

Christian Poveda knows America very well, for having spent 10 years of his life covering major events and schock moments in the country (from 1978 to 1988)...

Ouka Leele séries

Peluqueria (Salon de coiffure), 1979

Series | This series is both emblematic and founding of Ouka Leele's work. In the midst of Madrid's Movida period...

Michel Vanden Eeckhoudt séries

Immigration Chronicles, 1978

In 1976, Christian Carez and Michel Vanden Eeckhoudt began a report on immigration in Belgium, which after two years of work became Chroniques immigrées.

Jane Evelyn Atwood séries

Rue des Lombards, 1977

Rue des Lombards is Jane Evelyn Atwood's first photographic reportage, produced in black and white, in a writing that is at once simple, effective and sensitive.

Christer Strömholm séries

Polaroids, 1977

About twenty Polaroids created by Strömholm in 1976 present the assemblies of images and objects and constitute so many visual plays on words that reveal the profound influence of surrealism on Strömholm.