Rip
Hopkins

Rip Hopkins

biographY

Rip Hopkins is a British photographer and has been a member of Agence VU’ since 1996. He is based in Brussels (Belgium).

A graduate of the École Nationale Supérieure de Création Industrielle (ENSCI) in Paris, Rip Hopkins began his career as a photographer in collaboration with Médecins Sans Frontières. For almost 10 years, his photographs – on the edge of documentary and reporting – gave voice to the world’s most endangered populations. At the same time, he carried out some more personal documentary projects, in particular on the gypsies in Europe, in Uzbekistan and in Tajikistan.

Driven by multiple ambitions, Rip Hopkins seeks new spaces of expression, first in France, then in Belgium. From seemingly banal subjects, he extracts an infinite number of photographic possibilities and incongruities with humour, off-beatness and poetry. Beyond social representation, his visual investigations are structured by a dramatic tension close to the absurd. In the background, his dramatizations disrupt all forms of propriety, to enter a subtle in-betweenness: between misbehaviour and mirth. Detached, even high up in these complex settings, the human being – both in front of and behind the lens – collides with a profound self-deprecation.

Rip Hopkins offers mischievous and playful portraits of the descendants of the beheaded of the French Revolution (“La Révolution en héritage”), of the Mansonians and their particular link to the horse (“Chevaleresque”), of the British settled in the Perigord (“Another Country”), of the contemporary Belgian aristocracy (“Belgian Blue Blood”). He also documents the Canadian identity (“Canada Canada” at the invitation of the French Embassy and on the occasion of the 150th anniversary of the confederation), the “Guardians” in the Alpes-Maritimes and all the professions linked to the ostrich feather on three continents (South Africa, United States, France, Belgium and Italy).

From the representation of his work in a dozen monographs, to the regular exhibition of his work on the international stage, Hopkins is part of prestigious public and private collections. These include the Guerlain Foundation (France), the HSBC Foundation (France), LaSalle Bank (USA), the Musée de lʼElysée (Lausanne), the Musée dʼ Orsay (Paris), the Centre Pompidou (Paris), the Centre National dʼ audiovisuel (Luxembourg), the FRAC Ile de France and the Fonds national dʼart contemporain (France), etc. His work has also been rewarded with renowned distinctions: Ilford Prize, Kodak Prize for Young Photoreporters, HSBC Prize, Bourse Fiacre, Prix Scam, etc. He is represented by Le Réverbère (Lyon) Gallery and by LT2.

SEries

Guardians, 2023

Series | The role of the guardians, though omnipresent in our society and recently revealed as indispensable, is far more complex than it seems.

The world of feathers, 2022

Series | Feathers have become instruments of knowledge, travel, and openness to the world, but also a rediscovery of the treasures of the craft. From feather duster to haute couture, from cabaret to taxidermy, the traveling feather crosses continents.

Odyssey, 2022

Série| Rip Hopkins gives a funny and sensitive photographic account of the odyssey he shared with all the inhabitants involved in the life of Corbeil-Essonnes. An account of a more or less lively journey.

Canada Canada, 2017

Pour le 150ème anniversaire du Canada, Rip Hopkins a réalisé 150 portraits de canadiens.

Belgian Blue Blood, 2016

The portrait of the aristocrat is an art that is practiced less and less. In literature, in cinema, in the visual arts, apart from a few rare specimens, one cannot say that the subject is of interest.

Portraits de Familles (Fnac Studio), 2012

During the « Studio Fnac » operation, Rip Hopkins met and photographed several families who entered into the spirit of the game by letting themselves be staged.

Horsey Horsey, 2012

Through this series of portraits, Rip Hopkins reveals how the inhabitants of Maisons-Laffitte, a French city historically linked to horses, perceive and take on the imagery of the horse in their fantasy.

Extra-ordinary, 2012

series| Rip Hopkins went to meet shopkeepers and professionals who have a doorstep.

Sept fois à terre, huit fois debout, 2011

For its 40th anniversary, MSF (Doctors Without Borders) gave Rip Hopkins a carte blanche. He invites about sixty personalities from the world of art and culture...

An age of iron and concrete, 2010

series | Something happened when Rip Hopkins went to Musée de la Préhistoire, the most unknown, the less accessible, the most 'ancient' in France.

Another Country – the British in France, 2010

Rip Hopkins’ 68 portraits provide a record that is both personal and objective, showing the real and imaginary world of British expats in France.

The Revolution as a Legacy, 2009

Descendants of the French Revolution's beheaded.

Mode, 2009

Haute couture and acrobatics mix to give this series an aerial aspect. Rip Hopkins gives models and their outfits, a grace that sublimate them.

Rip la France, 2008

“Rip La France” is a style exercise. Each picture is taken and constructed in a way of a cinematographic work.

Romanian Rip (Timisoara), 2008

Timisoara is the town from where started the Romanian revolution in December 1989. Twenty years later, it enters, with its country, in the European community...

Cooking Alchemists, 2007

This work is the fruit of the encounter between the Cook Pierre Gagnaire and the chemist Hervé This over the written work of Nicolas Bonnefons, Louis XIV's servant...

Succeed or Die, 2007

Rip Hopkins spent ten days in Behren-lès-Forbach, the poorest of the 500 poorest cities in France, according to a study by the Ministry of the City...

Haute Couture, 2007

It's all about the autumn-winter 2008 haute couture collections presented in Paris this summer. At the Orangerie de Versailles, Dior is showing paintings by the great masters and courtesans of the court of Louis XIV.

Muses d’Orsay, 2006

Muses d’Orsay series is my response to a commission from the Musée d’Orsay asking me to photograph the museum’s employees in their place of work.

Too Late!, 2006

I tried to leave Paris and lived for two years in the countryside. This series of photographs is the product of what I felt each time I came to Paris during this period.

Essays, 2005

I made this series of photographs around the given theme : Bordeaux and the Bordelais – Eating, drinking, thinking.

Anonymous Paris, 2005

In France a photographer has to have written autorisation from the person photographed to publish his image. Without this the photographer can be sued for damages.

Bukhara Babe, 2004

Knicknamed Holy Bukhara, Noble Bukhara, Dome of Islam, Religion’s Pillar, Mind’s Beauty, Bukhara was the city of fire worshipers and the centre of the Persian rennaissance and Islamic science.

Rigas Circus, 2003

Built in 1888 and unchanged since, Riga Circus is the world's oldest hard top circus still standing in its original form. Latvia's first film projections were held here in 1889 and the Circus has never stopped its shows throughout the country's tumultuous history.

Otkritki, 2003

Otkritki, which means postcard in Russian, is the product of three trips to Uzbekistan over the past three years.

Home & Away, Uzbekistan, 2002

Uzbekistan is a Soviet invention. Before the Russian Revolution of 1917, Uzbeks usually identified themselves ethnically as either nomad or sart (settled), as Turk or Persian, as simply Muslim or by their clan. Later separate nationalities were identified by Soviet scholars as ordered by Stalin.

Tadjikistan, tissage, 2001

I've been taking photographs since I was ten years old. Photography from the start was something magical for me, transferring reality onto paper with my own hands. It gradually became a record of time, then a tool for describing my version of reality to others.

Strange Days, Czech Republic, 2000

Usti nad Labem is an industrial town situated in the north of the Czech Republic against the German border.

Bishop’s Madness, 1999

According to these employees, the number of patients during this period fell from one hundred and twenty-two to seventy-seven : forty five deaths when the yearly average was nine.

Outlaws, 1999

The Irish State has long seen the Traveller's existence as a problem. The local authorities try to assimilate them into society by giving them housing and education, assaulting and meat mincing them to a point where Travelers are ambiguous about their own identity.

Dallas (Romania), 1998

The Romanian Roma community is the world's largest. Amongst Romania's 23 million inhabitants the government estimates it's Roma population aas being 400,000, but a more realistic figure would be around 2 million.

Amazon Burning, 1997

Ecuador is one of the largest oil producing countries in South America. Lago Agrio is it's principal oil town - it's ‘black gold’ capital.

After Paradise, 1997

Liberia has been totally destroyed by 7 years of civil war. The majority of its infrastructures are reduced to rubble, and health and education services are non-existent.

500 coups, 1996

Due to Madagascar's social structure and the disastrous state of it's economy (ranked amongst the world's poorest countries), more and more children have no choice but to live in the street.

Nimulé, 1995

Why do you say South Sudan? Why are you telling me things that I don’t understand, that I don’t know, that I’ve never heard of? More refugees, more displaced people, war again, weapons, children in distress.

Guardians, 2023

Series | The role of the guardians, though omnipresent in our society and recently revealed as indispensable, is far more complex than it seems.

The world of feathers, 2022

Series | Feathers have become instruments of knowledge, travel, and openness to the world, but also a rediscovery of the treasures of the craft. From feather duster to haute couture, from cabaret to taxidermy, the traveling feather crosses continents.

Odyssey, 2022

Série| Rip Hopkins gives a funny and sensitive photographic account of the odyssey he shared with all the inhabitants involved in the life of Corbeil-Essonnes. An account of a more or less lively journey.

Canada Canada, 2017

Pour le 150ème anniversaire du Canada, Rip Hopkins a réalisé 150 portraits de canadiens.

Belgian Blue Blood, 2016

The portrait of the aristocrat is an art that is practiced less and less. In literature, in cinema, in the visual arts, apart from a few rare specimens, one cannot say that the subject is of interest.

Portraits de Familles (Fnac Studio), 2012

During the « Studio Fnac » operation, Rip Hopkins met and photographed several families who entered into the spirit of the game by letting themselves be staged.

Horsey Horsey, 2012

Through this series of portraits, Rip Hopkins reveals how the inhabitants of Maisons-Laffitte, a French city historically linked to horses, perceive and take on the imagery of the horse in their fantasy.

Extra-ordinary, 2012

series| Rip Hopkins went to meet shopkeepers and professionals who have a doorstep.

Sept fois à terre, huit fois debout, 2011

For its 40th anniversary, MSF (Doctors Without Borders) gave Rip Hopkins a carte blanche. He invites about sixty personalities from the world of art and culture...

An age of iron and concrete, 2010

series | Something happened when Rip Hopkins went to Musée de la Préhistoire, the most unknown, the less accessible, the most 'ancient' in France.

Another Country – the British in France, 2010

Rip Hopkins’ 68 portraits provide a record that is both personal and objective, showing the real and imaginary world of British expats in France.

The Revolution as a Legacy, 2009

Descendants of the French Revolution's beheaded.

Mode, 2009

Haute couture and acrobatics mix to give this series an aerial aspect. Rip Hopkins gives models and their outfits, a grace that sublimate them.

Rip la France, 2008

“Rip La France” is a style exercise. Each picture is taken and constructed in a way of a cinematographic work.

Romanian Rip (Timisoara), 2008

Timisoara is the town from where started the Romanian revolution in December 1989. Twenty years later, it enters, with its country, in the European community...

Cooking Alchemists, 2007

This work is the fruit of the encounter between the Cook Pierre Gagnaire and the chemist Hervé This over the written work of Nicolas Bonnefons, Louis XIV's servant...

Succeed or Die, 2007

Rip Hopkins spent ten days in Behren-lès-Forbach, the poorest of the 500 poorest cities in France, according to a study by the Ministry of the City...

Haute Couture, 2007

It's all about the autumn-winter 2008 haute couture collections presented in Paris this summer. At the Orangerie de Versailles, Dior is showing paintings by the great masters and courtesans of the court of Louis XIV.

Muses d’Orsay, 2006

Muses d’Orsay series is my response to a commission from the Musée d’Orsay asking me to photograph the museum’s employees in their place of work.

Too Late!, 2006

I tried to leave Paris and lived for two years in the countryside. This series of photographs is the product of what I felt each time I came to Paris during this period.

Essays, 2005

I made this series of photographs around the given theme : Bordeaux and the Bordelais – Eating, drinking, thinking.

Anonymous Paris, 2005

In France a photographer has to have written autorisation from the person photographed to publish his image. Without this the photographer can be sued for damages.

Bukhara Babe, 2004

Knicknamed Holy Bukhara, Noble Bukhara, Dome of Islam, Religion’s Pillar, Mind’s Beauty, Bukhara was the city of fire worshipers and the centre of the Persian rennaissance and Islamic science.

Rigas Circus, 2003

Built in 1888 and unchanged since, Riga Circus is the world's oldest hard top circus still standing in its original form. Latvia's first film projections were held here in 1889 and the Circus has never stopped its shows throughout the country's tumultuous history.

Otkritki, 2003

Otkritki, which means postcard in Russian, is the product of three trips to Uzbekistan over the past three years.

Home & Away, Uzbekistan, 2002

Uzbekistan is a Soviet invention. Before the Russian Revolution of 1917, Uzbeks usually identified themselves ethnically as either nomad or sart (settled), as Turk or Persian, as simply Muslim or by their clan. Later separate nationalities were identified by Soviet scholars as ordered by Stalin.

Tadjikistan, tissage, 2001

I've been taking photographs since I was ten years old. Photography from the start was something magical for me, transferring reality onto paper with my own hands. It gradually became a record of time, then a tool for describing my version of reality to others.

Strange Days, Czech Republic, 2000

Usti nad Labem is an industrial town situated in the north of the Czech Republic against the German border.

Bishop’s Madness, 1999

According to these employees, the number of patients during this period fell from one hundred and twenty-two to seventy-seven : forty five deaths when the yearly average was nine.

Outlaws, 1999

The Irish State has long seen the Traveller's existence as a problem. The local authorities try to assimilate them into society by giving them housing and education, assaulting and meat mincing them to a point where Travelers are ambiguous about their own identity.

Dallas (Romania), 1998

The Romanian Roma community is the world's largest. Amongst Romania's 23 million inhabitants the government estimates it's Roma population aas being 400,000, but a more realistic figure would be around 2 million.

Amazon Burning, 1997

Ecuador is one of the largest oil producing countries in South America. Lago Agrio is it's principal oil town - it's ‘black gold’ capital.

After Paradise, 1997

Liberia has been totally destroyed by 7 years of civil war. The majority of its infrastructures are reduced to rubble, and health and education services are non-existent.

500 coups, 1996

Due to Madagascar's social structure and the disastrous state of it's economy (ranked amongst the world's poorest countries), more and more children have no choice but to live in the street.

Nimulé, 1995

Why do you say South Sudan? Why are you telling me things that I don’t understand, that I don’t know, that I’ve never heard of? More refugees, more displaced people, war again, weapons, children in distress.

Guardians, 2023

Series | The role of the guardians, though omnipresent in our society and recently revealed as indispensable, is far more complex than it seems.

The world of feathers, 2022

Series | Feathers have become instruments of knowledge, travel, and openness to the world, but also a rediscovery of the treasures of the craft. From feather duster to haute couture, from cabaret to taxidermy, the traveling feather crosses continents.

Odyssey, 2022

Série| Rip Hopkins gives a funny and sensitive photographic account of the odyssey he shared with all the inhabitants involved in the life of Corbeil-Essonnes. An account of a more or less lively journey.

Canada Canada, 2017

Pour le 150ème anniversaire du Canada, Rip Hopkins a réalisé 150 portraits de canadiens.

Belgian Blue Blood, 2016

The portrait of the aristocrat is an art that is practiced less and less. In literature, in cinema, in the visual arts, apart from a few rare specimens, one cannot say that the subject is of interest.

Portraits de Familles (Fnac Studio), 2012

During the « Studio Fnac » operation, Rip Hopkins met and photographed several families who entered into the spirit of the game by letting themselves be staged.

Horsey Horsey, 2012

Through this series of portraits, Rip Hopkins reveals how the inhabitants of Maisons-Laffitte, a French city historically linked to horses, perceive and take on the imagery of the horse in their fantasy.

Extra-ordinary, 2012

series| Rip Hopkins went to meet shopkeepers and professionals who have a doorstep.

Sept fois à terre, huit fois debout, 2011

For its 40th anniversary, MSF (Doctors Without Borders) gave Rip Hopkins a carte blanche. He invites about sixty personalities from the world of art and culture...

An age of iron and concrete, 2010

series | Something happened when Rip Hopkins went to Musée de la Préhistoire, the most unknown, the less accessible, the most 'ancient' in France.

Another Country – the British in France, 2010

Rip Hopkins’ 68 portraits provide a record that is both personal and objective, showing the real and imaginary world of British expats in France.

The Revolution as a Legacy, 2009

Descendants of the French Revolution's beheaded.

Mode, 2009

Haute couture and acrobatics mix to give this series an aerial aspect. Rip Hopkins gives models and their outfits, a grace that sublimate them.

Rip la France, 2008

“Rip La France” is a style exercise. Each picture is taken and constructed in a way of a cinematographic work.

Romanian Rip (Timisoara), 2008

Timisoara is the town from where started the Romanian revolution in December 1989. Twenty years later, it enters, with its country, in the European community...

Cooking Alchemists, 2007

This work is the fruit of the encounter between the Cook Pierre Gagnaire and the chemist Hervé This over the written work of Nicolas Bonnefons, Louis XIV's servant...

Succeed or Die, 2007

Rip Hopkins spent ten days in Behren-lès-Forbach, the poorest of the 500 poorest cities in France, according to a study by the Ministry of the City...

Haute Couture, 2007

It's all about the autumn-winter 2008 haute couture collections presented in Paris this summer. At the Orangerie de Versailles, Dior is showing paintings by the great masters and courtesans of the court of Louis XIV.

Muses d’Orsay, 2006

Muses d’Orsay series is my response to a commission from the Musée d’Orsay asking me to photograph the museum’s employees in their place of work.

Too Late!, 2006

I tried to leave Paris and lived for two years in the countryside. This series of photographs is the product of what I felt each time I came to Paris during this period.

Essays, 2005

I made this series of photographs around the given theme : Bordeaux and the Bordelais – Eating, drinking, thinking.

Anonymous Paris, 2005

In France a photographer has to have written autorisation from the person photographed to publish his image. Without this the photographer can be sued for damages.

Bukhara Babe, 2004

Knicknamed Holy Bukhara, Noble Bukhara, Dome of Islam, Religion’s Pillar, Mind’s Beauty, Bukhara was the city of fire worshipers and the centre of the Persian rennaissance and Islamic science.

Rigas Circus, 2003

Built in 1888 and unchanged since, Riga Circus is the world's oldest hard top circus still standing in its original form. Latvia's first film projections were held here in 1889 and the Circus has never stopped its shows throughout the country's tumultuous history.

Otkritki, 2003

Otkritki, which means postcard in Russian, is the product of three trips to Uzbekistan over the past three years.

Home & Away, Uzbekistan, 2002

Uzbekistan is a Soviet invention. Before the Russian Revolution of 1917, Uzbeks usually identified themselves ethnically as either nomad or sart (settled), as Turk or Persian, as simply Muslim or by their clan. Later separate nationalities were identified by Soviet scholars as ordered by Stalin.

Tadjikistan, tissage, 2001

I've been taking photographs since I was ten years old. Photography from the start was something magical for me, transferring reality onto paper with my own hands. It gradually became a record of time, then a tool for describing my version of reality to others.

Strange Days, Czech Republic, 2000

Usti nad Labem is an industrial town situated in the north of the Czech Republic against the German border.

Bishop’s Madness, 1999

According to these employees, the number of patients during this period fell from one hundred and twenty-two to seventy-seven : forty five deaths when the yearly average was nine.

Outlaws, 1999

The Irish State has long seen the Traveller's existence as a problem. The local authorities try to assimilate them into society by giving them housing and education, assaulting and meat mincing them to a point where Travelers are ambiguous about their own identity.

Dallas (Romania), 1998

The Romanian Roma community is the world's largest. Amongst Romania's 23 million inhabitants the government estimates it's Roma population aas being 400,000, but a more realistic figure would be around 2 million.

Amazon Burning, 1997

Ecuador is one of the largest oil producing countries in South America. Lago Agrio is it's principal oil town - it's ‘black gold’ capital.

After Paradise, 1997

Liberia has been totally destroyed by 7 years of civil war. The majority of its infrastructures are reduced to rubble, and health and education services are non-existent.

500 coups, 1996

Due to Madagascar's social structure and the disastrous state of it's economy (ranked amongst the world's poorest countries), more and more children have no choice but to live in the street.

Nimulé, 1995

Why do you say South Sudan? Why are you telling me things that I don’t understand, that I don’t know, that I’ve never heard of? More refugees, more displaced people, war again, weapons, children in distress.

video

Meet Me at The Gare, 2006
–
« VUʼ à Paris » is a collective project of a contemporary glance of VUʼ Photographers inviting to a new perception of todayʼs Paris. This vision is an opportunity to highlight the details of a modern city, unique, cosmopilite with an international dimension.

The directors of La Fémis complete these photographic points of view, and offer us an original perception of the photographer and his approach, sometimes piercing some of his mysteries.

Film directed by Stéphanie Fortunato (© Agence Vu & La Fémis)
Short film made as part of the VU’ project in Paris

Interviews

Sur le Vif
Brigitte Patient
—
‘If you listen to him, you’ll learn that he’s ‘cheap’, that he lives between Belgium and Greece, on the island of Lesbos, and that he’s had a loving relationship with his gallery owners for 20 years: Catherine Dérioz and Jacques Damez’.

Image : © Alice Creux

Listen

Regardez voir
France Inter
—
Interview by Brigitte Patient, 2018

France inter welcomes the photographer Rip Hopkins in the show Regarder Voir. Portrait of a photographer with such a singular sense of humour.

Listen

Interview de Rip Hopkins – Expostion photographique
Abbaye Royale de l’Épau
—
2018

Interview conducted on the occasion of his exhibition “Belgian Blue Blood” at the Royal Abbey of Epau. Rip Hopkins then goes back over the reasons that pushed him to work on the Belgian aristocracy.

Le Fnac Studio de Rip Hopkins
La Fnac
—
Interview by la Fnac, 2012

La Fnac welcomes the photographer Rip Hopkins as part of the “Fnac Studio” operation. He met and photographed several families who entered into the spirit of the game by letting themselves be staged.

Chevalresque – Portrait de Rip Hopkins
Filigranes
—
Film directed by Patrick Le Bescont, 2012

Through this series of portraits, Rip Hopkins reveals how the inhabitants of Maisons-Laffitte, a French city historically linked to horses, perceive and take on the imagery of the horse in their fantasy. At the North West of Paris, close to the forest of Saint-Germain-en-Laye, stands a city that has been haunted by the presence of horse since the end of the 18th century. Its racetrack has the longest straight line of Europe. Men and horses live together.

Rip Hopkins Interview
Processus Photo
—
Interview by Sandrine Fafet, 2010

Processus photo dedicates an interview to the photographer Rip Hopkins, after the release of his book Another Country.

Listen

Exhibitions

Plumassiers
—
Musée de l’affiche de Toulouse, France
—
From May 24, 2023 to November 12, 2023

More information

Gardiens 06
—
Espace culturel Lympia
2 quai Entrecasteaux, 06300 Nice
—
From March 18, 2023 to May 28, 2023

More information

Odyssée 2022
—
L’Œil Urbain, Corbeil-Essonnes (FRANCE)
—
From April 1 to May 22, 2022

More information

Another Country
—
L’Œil Urbain, Corbeil-Essonnes (FRANCE)
—
From April 5 to May 19, 2019

More information

Canada Canada
—
Galerie d’Art d’Ottawa, Ottawa (CANADA)
—
From April 28 to June 11, 2017

More information

BOOKS

Plumassiers

Filigranes Éditions

Gardiens

Fiiligranes Éditions - 2023

Canada Canada

Filigranes Editions - 2017

Belgian Blue Blood

Filigranes Editions - 2015

Chevaleresque

Co-production - 2012

Sept fois à terre, huit fois debout

Editions du Chêne - 2011

Un âge de Fer et de Béton

Filigranes Editions, Coédition avec le Conseil général de Seine-et-Marne / musée départemental de Préhistoire d’Ile-de-France - 2011

Another Country

Filigranes Editions - 2010

Alchimistes aux fourneaux

Flammarion - 2007

Clee Hill and Other Sculptures

Bill Hopkins - 2006

Déplacés

Textuel - 2004

Tadjikistan tissages

Actes Sud - 2002

Nimulé

Filigranes Éditions - 1997

Plumassiers

Filigranes Éditions

Gardiens

Fiiligranes Éditions - 2023

Canada Canada

Filigranes Editions - 2017

Belgian Blue Blood

Filigranes Editions - 2015

Chevaleresque

Co-production - 2012

Sept fois à terre, huit fois debout

Editions du Chêne - 2011

Un âge de Fer et de Béton

Filigranes Editions, Coédition avec le Conseil général de Seine-et-Marne / musée départemental de Préhistoire d’Ile-de-France - 2011

Another Country

Filigranes Editions - 2010

Alchimistes aux fourneaux

Flammarion - 2007

Clee Hill and Other Sculptures

Bill Hopkins - 2006

Déplacés

Textuel - 2004

Tadjikistan tissages

Actes Sud - 2002

Nimulé

Filigranes Éditions - 1997

Plumassiers

Filigranes Éditions

Gardiens

Fiiligranes Éditions - 2023

Canada Canada

Filigranes Editions - 2017

Belgian Blue Blood

Filigranes Editions - 2015

Chevaleresque

Co-production - 2012

Sept fois à terre, huit fois debout

Editions du Chêne - 2011

Un âge de Fer et de Béton

Filigranes Editions, Coédition avec le Conseil général de Seine-et-Marne / musée départemental de Préhistoire d’Ile-de-France - 2011

Another Country

Filigranes Editions - 2010

Alchimistes aux fourneaux

Flammarion - 2007

Clee Hill and Other Sculptures

Bill Hopkins - 2006

Déplacés

Textuel - 2004

Tadjikistan tissages

Actes Sud - 2002

Nimulé

Filigranes Éditions - 1997

AWARDS

Ladurée Award

For his series “Alchimistes aux fourneaux (Cooking Alchemists)”

2007

HSBC Award

For his series “Tadjikistan, tissage”

2002

Fondation Jean-Luc Lagardère Grant

For his project” Tadjikistan ethnic group”

2000

Observer Hodge Award

For his series “Tadjikistan, tissage”

1997

Monographies Award

For his book “Nimulé” published by Filigranes

1997

Kodak Young Photoreporter Award

For his report “500 coups”

1997

Black & White Ilford Jury’s Award

For his series “500 coups”

1996

Black & White Ilford Jury’s Award

For his series “Nimulé”

1994