Serie | “I’m very far from Syria and I’m trying to understand that cruelly absurd war. … I watch from a distance, completely powerless, through the unreal, numbing filters of video, television, cameras with an imposed distance that never tells what there really is.”

Martin Bogren has travelled through Italian cities without any real goal. It was a question for him of getting lost, of drawing a path without any predefined intention.

People, lights. One could say that Sète is all about that under the eye of Anne Rearick. Quite simply, with the immense freedom that is hers, with the flexibility that makes her elegantly wander the square of her frame until she reduces, without limiting it, the space of her experience to this magic square because it is inexplicable.