Series - Agence VU'

Homanimus, 2004

Bertrand Desprez's surprising shots question the relationship between man and animal, when the latter becomes a source of projection and reflection.

Rafah in the Gaza Strip, refugees and settlers face each other in February 2004, a few days after Ariel Sharon, Prime Minister of Israel announced his intention to dismantle all the settlements in the Gaza Strip without specifying a deadline.

Denis Dailleux séries

On the Footsteps of Rimbaud, in Yemen and Ethiopia, 2004

Leaving in man's shadow with soles of wind as a pretext. Discover a little-known Africa and meet its inhabitants as the ultimate goal.

Guy Tillim séries

South Africa, A Decade of Democracy, 2004

Series | Ten years after the end of apartheid, Guy Tillim reflects on a country that is trying to rebuild itself after several years of racial crimes that divided South Africa between 1948 and 1991..

Narelle Autio séries

The Seventh Wave, 2004

The work of these talented and award winning photographers has the air of both document and dream.

Juan Manuel Castro Prieto séries

Extraños, 1984-2004/03

Serie | “Extraños” shares aspects of “Diario familiar” but also reveals new directions in Juan Manuel Castro Prieto’s work.

Jane Evelyn Atwood séries

Malawi, Hunger and Aids, 2004

Through this series in Malawi, Jane Evelyn Atwood shows the consequences of hunger on families and populations.

François Fontaine séries

Les Christs de Salvador, 2004

In Salvador de Bahia the Carnival was in full swing when I decided to seek refuge in the quiet and inspiring holy sites offered by the city.

Bruno Boudjelal séries

Scrapbook (1993-2003)

Between 1993 and 2003, Bruno Boudjelal created the notebooks of his successive trips to Algeria. Between logbook and diary, these booklets testify both to a personal experience and to the reality of today's Algeria.

Louie Palu séries

Cage Call, 1991-2003

Series | “Cage Call: Life in the Hard Rock Mining Belt,” documents the people, land, and work in the mining region of Northern Canada.