Series
Mother and Son, 2014
A most Christ-like image, a bare-chested son rests near his mother. Why does this image of the mother-son relationship move us so? Because the son, by his nudity, looks as fragile as he was on the day of his birth?
Obscene, 2014
In 2012, Manit Sriwanichpoom made a series, which depicts his own vision of Thai politics, when Yingluck Shinawatra became first female Prime Minister...
IKWIG !, 2014
Serie | The self-portraits from this series share one key similarity: they are related to the production and the direction of Raphaël Neal’s first feature film, Fever, released in theatres in October 2015.
The name which erases the colour, 2014
The series Le nom qui efface la couleur articulate itself around the idea of the achievable, the possibility to be a thing or another, to fall or to fly, to stay or to disappear … Eventually, of this freedom which belongs to the man and forces him to choose betwenn several positions.
Blue, 2014
“Blue” the latest body of work by Manit Sriwanichpoom presents a series of female and male nudes in various contorted poses.
Constrained Objects, 2014
Series | A twisted toothbrush, a pipe, a trash bag, an engagement ring, perfume bottles... Jean-Robert Dantou tackles here the representations of madness with the idea that photography, always highlighting the crisis and never the everyday life, often shows monsters, rarely men.
Ethnocape, 2014
Series | A photographic travel project that questions the symbolic journey of a migrant.
Family, 2014
Series | Claude Pauquet has conceived of a procedure with families from French region Poitou-Charentes of wich he has made portrait between documentary and fiction.
Gulu Real Art Studio, 2014
Series | A series of portraits found in the trash bin of the “Gulu Real Art Studio,” the oldest photographic studio in Gulu, Northern Uganda.