Series - Agence VU'

Learn how to die in South Korea, 2015

Serie | With 39 suicides committed every day, South Korea holds a sad record in the world. Seniors commit suicide four times more in South Korea than in the other OECD countries.

Oran, in the Footsteps of Kamel Daoud, 2015

In the city of Oran, the photographer Ferhat Bouda went to meet the Algerian journalist and intellectual Kamel Daoud, who confides in Algeria and the "radiant city". Between the man and the city, an astonishing closeness is woven.

Laerke Posselt séries

Gender Bender, 2015

Serie | Now, 100 years after women in Denmark were given the right to vote, the gender is up for negotiation.

Martin Bogren séries

Hollow, 2015

The city seems in the grip of an insurmountable winter. Unless it is him who holds it in thrall; he drifts alone, a stranger to himself. Trapped in the absurdity of being in the world when any horizon looks like a dead end.

Guillaume Zuili séries

Paris’s Streets, 2015

By rediscovering his native city, Guillaume Zuili gives us a poetic look at the tumult of Paris. A poetry which, if it refers to the Baudelaireian spleen, also borrows from the old-fashioned charm of novels and Polar movies.

Kyle Thompson séries

Ghost Town, 2015

Série | "Ghost Town" creates a series of lonely manufactured landscapes taking place in a fabricated flooded town. The series relates to my childhood depression, by creating an endless suffocating landscape that swallows its surroundings.

JR séries

Ballet, 2015

Serie |

Rodrigo Gomez Rovira séries

Valparaiso, 2015

Serie| This series designed by Rodrigo Gomez-Rovira combines photographs taken by the artist in Valparaíso with found photographs purchased in Valparaíso over the last ten years.

Michaël Zumstein séries

Trafficking Bolabola Rosewood, 2015

Serie | Rosewood is one of the most sought-after resources, and is trafficked as "forest ivory".

Denis Darzacq séries

Doublemix, 2015

Double Mix is the collaboration between two French artists, the encounter between photography and ceramics, the encounter between the apparently banal universe of Denis Darzacq's photos and the strange strength of Anna Iris Lünemann's abstract ceramics.