« Tajmaât », Un modèle ancestral de démocratie participative Kabyle, 2020

Tajmâat is a Kabyle term for the public place and its root means to gather. In Kabylia the Tajmâat is a small agora on the scale of a village. Current affairs are managed there, we meet there to resolve conflicts, discuss and take decisions.

Acedia, 2015-ongoing

Series | In the images of the Acedia series, it is a question of non-events where the signs of an era remain discrete. The laziness, inhabited by these characters, proposes to translate a refusal of life as it is given to live, of a search for freedom, or a space of introspection.

The Silence

Strangely Familiar, 2020

Serie | The series “Strangely Familiar“ stages a tale of Freudian Uncanny: the opposition of the German words heimlich and unheimlich (familiar; unfamiliar) giving life to an eerie state of conflict.

True West, 2020

Idaho is similar to many American states: the capital Boise, with its beautiful university and mixed population, is home to only 12% of the population. In the rest of the region, there is a collection of small rural towns, where in some churches, the American flag proudly flies next to the cross...

Australia, A Season In Hell, 2020

Series | Since September 2019, Australia continues to burn under a series of particularly destructive and deadly fires. For Australian writer Richard Flanagan, "these fires will be our climatic Chernobyl".

Countermapping, 2019

Throughout November and December of 2018, Davide Monteleone have been travelling within Mexico, the United States, and Germany as part of a new project which attempts to combine multidisciplinary practices to counter-map the purported “Global Migration Crisis”, which is too frequently described as “a permanent challenge to the 21st-century states and world order” (Ignatieff et al., 2016).

The Windows of the World, 2019

Serie | Like « Miss Lonely » in Hitchcock’s Rear Window (1954), these solitary characters wait, talk to themselves or play on their own, too afraid to step outside.

No Refuge 

Spring Song, 2019

Munem Wasif constantly explores the idea of border and re-examines the questions around its formation. How these borders constructed? Who constructs them? How are they broken and re-formed?