Series

Land of tumors, Naples – Italia, 2018

Serie | For more than two centuries, this region was the heart of the “Happy Campania“. A land of Cocagne, with scandalously fertile lands, where everything grew effortlessly and where life seemed sweeter than elsewhere. But times have changed…

The dead River, Rio Doce – Brazil, 2018

Serie | In Regencia, a small Brazilian seaside area, the tragedy in which a toxic mud ravaged the Rio Doce River, haunts the city and the entire shores of the river.

Fragments Of A Woman

Mother Nature, Alberta – Canada, 2018

Serie | Alberta occupies a special place on the map of Canada. Because this Province of the west covered with lakes and forests, is also abundant in oil.

Clément under the same sky, 2018

Serie | Over time, images build a memory, a story. In the ones I gather here, thirteen years separate the first photo from the most recent one. When my son Clément appears in "Arles, 2004", he is 4 years old. He is 17 in "The Hague, 2017". This series is dedicated to him.

Open Stage, 2018

Series | “While living in urban environments, I find myself searching out small pockets of nature within the city to create my work”

Makeshift Camp, 2018

Series | Not without pain, I was able to cross over the fortifications, the iron belt, that kept me apart from wealth. And I have became skilled in the way of building short-lived resorts. I would give as an example these works scattered along the way of my pilgrimage.

Guajiros, 2018

Serie | With Guarijos Pierre-Elie de Pibrac offer a gallery of portraits of sugar workers in the Cuban

Le Temps de l'immaturité, 2018

Series | Series initiated in Lodz, Poland in 2018, that explores the reality of polish youth, whose bodies are in the grip of the discomfort of political, social and introspective tensions.

Unelikely Pictures, 2018

Series | I was born into a family where the paintbrush, the camera and the making of small black and white films was something normal. My parents were the first to push me in this direction when I was very young.