Series
Tu Mitonnes, 2019
Series | "Tu Mitonnes" therefore tells stories that nestle around the corner as well as on the other side of the earth. They are born in cabbages, in the hollow of a watermelon or a Morteau sausage and of course always end with recipes.
Pachama, the Miners of Bolivia, 2019
Serie | In Bolivia, nestled in the Andes Mountains, the cities of Oruro, Popoó, Uyuni and Potosi are home to many mining dating back to colonial time, that continue to support the inhabitants of a region threatened by poverty.
Sinaloa - The Gardens of Humaya, 2019
Series | In the state of Sinaloa, on the outskirts of the city of Culiacan, there is the cemetery of the Narcos: "the gardens of Humaya".
Alma Tierra, 2019
Series | While urban and peripheral Spain grows disproportionately, inland and rural Spain are suffering in extremes that would surprise even Spaniards.
Juliette, 2019
In the childhood village of Denis Dailleux, in Anjou, lived a woman of character, a true character of a novel: Juliette, her great-aunt, who died in 2017 at the age of 100.
Waiting room, 2019
Series | Marin Driguez photographed the waiting bench of the Emergency Room of the Saint-Pierre Hospital in Brussels from January to August 2019.
On the movie set of Camille, Central African Republic, 2019
Serie | In 2014, Camille Lepage, a French photojournalist based in Bangui, lost her life in unsolved circumstances while covering the conflict between Selekas and anti-Balaka militias in the Central African countryside.
Corsica, 2019
Series | The Corsica I have in memory is not on the front page of the news. It takes roots somewhere at the end of the 1960s, at 20 kilometres North of Ajaccio, in the Cinarca region where my family comes from.
North Korea, From Pyongyang to Rason, 2019
Several times a month, a train goes through North Korea from Pyongyang, the capital, to the Sinai-Russian border, in the coastal city of Rason.
Sete#19, 2019
Serie | Landscapes, people, a sensitive black and white, without effect, vibrating with subtle greys, the feeling that spaces are inhabited, that they contain memories, traces, that man, without it being obvious, has shaped and inhabited them...