Series
Avenida Paulista, 2020
Serie | I spent every day in May 2020 photographing passers-by on Paulista Avenue, the city's emblematic - and longest - artery. At this date the pandemic is already raging in Brazil and São Paulo officially becomes the capital of the coronavirus in Latin America.
Casa de Vidro, 2020
Serie| Collaboration with the Lina Bo Bardi Foundation to photograph the Casa de Vidro, Morumbi, São Paulo.
Memory Lane, 2020
In this Serie, Guillaume Zuili confront himself to a new urban territory : Corbeil-Essones. Invited by “L’Oeil Urbain”, which each spring brings together the great names of contemporary photography, he is in residence for the year 2019.
At home, 2020
Serie | All of my work is focused on things that are a priori uninteresting, ignored or forgotten. Found objects have an important place in it. The ones I picked up on the street, or in a garbage can. Other people’s ones.
The « Grand Paris » Project, 2020
Série| Pierre-Olivier Deschamps captures the areas of the future Grand Paris Express train stations before and after the construction sites were built.
Behind the mountain, 2020
Series | When the confinement was decreed, Emmanuel Pierrot was in the Hautes Vosges in the family farm behind the Col de la Croix des Moinats, settled in the warmth with three generations under the same roof.
Gutmensch / Slechtmensch, 2015-2020
Série| For 5 years, Gert Jochems travelled across Western Europe, reporting on the rise of extreme right-wing parties and ideas, the resurgence of nationalism and identitarian withdrawal.
Movimento dos Trabalhadores Rurais Sem Terra, 2020
Série| Report in a unit of the MST, Rio Grande do Sul.
Covid 19: Workers in Kabul's Streets, 2020
Series | Amid the impending threat of the spread of the coronavirus pandemic in Afghanistan, on March 28, a 'measured lockdown' was imposed on the capital, Kabul...
Distant Horizon, 2020
Series | A series of photographs taken in the vast territory of Argentina during almost 15 years, bearing witness to the reality of a country trapped in its own history.