Go No Go, 1988-2002

Series | Schengen borders, asylum seekers and immigrants in Europe.

Palestine, a statement, 2002

Photographed with a panoramic lens in a treatment where the colours are pushed up, this photograhic series attempts to assess the statement. What about, after a year and a half of Intifada, the geography of the occupation? What are the scars left on Palestinian soil by the Israeli offensive?

Sétif, Alger, 2002

Benthala, The Places of a Massacre, 2002

« On the night of September 22-23, 1997, during a night of horror, more than 400 people were massacred in Bentalha. During my stays in Algeria following this massacre, I often thought of visiting these places. But this did not happen, for lack of courage or fear of not knowing what to do there. » Bruno Boudjelal

Cinq heures du matin, 2002

Series | A tribute to that fleeting instant when everything is about to turn upside-down.

Home & Away, Uzbekistan, 2002

Uzbekistan is a Soviet invention. Before the Russian Revolution of 1917, Uzbeks usually identified themselves ethnically as either nomad or sart (settled), as Turk or Persian, as simply Muslim or by their clan. Later separate nationalities were identified by Soviet scholars as ordered by Stalin.

Courants-Contrecourants, 2002

Serie | Serge Clément's photographs appear as the memory of an intercontinental (American-European) dialogue ...

Seeuropeans, 2002

Série | Undertaken the summer of 1994 throughout Europe, this photographic project of Albert and Verzone aims to create a large collection of portraits of European people on the beach.

Dancing at Cuba, 2002

Cuba, Havana, and its streets: the whole island lives to the rhythm of dance. Rumba, Flamenco, Salsa, paso-doble, and even classical dance are taught from the best institutions to the poorest dance schools.

Laos, 2001

Serie | This photographic work by Yvon Lambert on Laos was carried out over a two-month period (December 2000 to February 2001) with the support of the Luxembourg Ministry for Cooperation and Humanitarian Action.