Mexique, Mar

Serie | I take pictures of the seaside as a place full of paradoxes...

Loulan Beauty, 2007

Serie | This is a story of a slow disappearance, into the sand and in time. The end of a world, a trip through post-soviet central Asia and Xinjiang province in China.

The Cannes Film Festival, Kingdom of Aesthetics, 2007

Cinema? A little. Moviegoers? Not many. Cameras? Yes. Television? Very much so. Actors? Yes. Singers? Also. Models? In jacuzzies.
And? Journalists, photographers, marketing, markets, walks, interviews, photo-shoots, photo-calls, jewelers, business, cigars....

Leisure Time, 2007

Serie | Amusement parks, cruise ships in the Mediterranean, water parks, are miniature worlds to explore. Places often without identity frame the search for moments of relaxation to cure the stress of work produced by contemporary societies.


So Blue, So Blue : Edges of the Mediterranean, 2007

Series | Ad Van Denderen spent the past 5 years photographing in every country along the Mediterranean Sea.

Esthetique is Beautiful, 2007

Series | (Images that may offend the sensibilities of visitors.) It is usually said that taking care of oneself is a sign of respect towards other people. Seeing the prosperity of cosmetic companies, clothing industry or plastic surgery clinics, it seems like the rich have never shown more respect towards each other.

Climate refugees, 2007

In the past ten years, farmers like Hatem Ali have had to dismantle and relocate their tin and bamboo houses at least five times to escape the invasive waters of the huge Brahmaputra River in Kurigram.

Sweet Nothings, 2007

Serie | These dresses with their lace collars and sweet messages embroidered on the bodices, were the symbol of the Turkish state, but the girls who wore them were simply little girls...

Euromed District in Marseille, 2007

This work was commissioned by the National Fund of Contemporary Art, by the Provence-Alpes-Cote d'Azur DRAC and by Euromed public urban planning In Marseilles.

Face 2 face, 2007

Serie | The Face2Face project is to make portraits of Palestinians and Israelis doing the same job and to post them face to face, in huge formats, in unavoidable places, on the Israeli and the Palestinian sides.