Series

Seeuropeans, 2002

Série | Undertaken the summer of 1994 throughout Europe, this photographic project of Albert and Verzone aims to create a large collection of portraits of European people on the beach.

Dancing at Cuba, 2002

Cuba, Havana, and its streets: the whole island lives to the rhythm of dance. Rumba, Flamenco, Salsa, paso-doble, and even classical dance are taught from the best institutions to the poorest dance schools.

Laos, 2001

Serie | This photographic work by Yvon Lambert on Laos was carried out over a two-month period (December 2000 to February 2001) with the support of the Luxembourg Ministry for Cooperation and Humanitarian Action.

Lace on the Gloves : Amateur Boxing in the US and Beyond, 2001

In this world, amateur boxing is lived in the shadow of the professional and pretentious one. In this world, which I photographed in a small boxing clubhouse in Old Church, Somerville, Massachusetts, during the New England Golden Gloves competition in Lowell...

Second Intifada - Israeli-Palestinian Conflict, 2001

The events of the second Intifada are described as a campaign of Palestinian terrorism by Israel, while they are described as a revolt by the Palestinians.

Faces, 2001

Photographer who has been, since a long time, committed to children rights, Lâm Duc Hiên achieves a series of portraits during missions of the organization Enfants du Monde, in Vietnam, Palestine, Algeria, Kosovo, Guinea, Madagascar, Colombia and Philippines.

Young Autists Make their Show, 2001

From the fringe of Avignon festival to the “Arts et Déchirures” festival in Rouen, a theatre troupe forming by young autistics and psychotics people has been performing for twenty years.

Alger, 2001

"I feel very uncomfortable again in the country; the general climate seems extremely tense. I have an order for several newspapers, the subject is the revival of Algerian youth. » Bruno Boudjelal

Tadjikistan, tissage, 2001

I've been taking photographs since I was ten years old. Photography from the start was something magical for me, transferring reality onto paper with my own hands. It gradually became a record of time, then a tool for describing my version of reality to others.