Landscapes from the “Edges of the world”, between the land and sea which they explore, could have been realized with a calotype by a contemporary photographer of Gustave Le Gray. But it has been realized nowadays, with their fine greys, stability of the space always shut in a closed frame, organized auround the skyline in the perfect rules of classic composition. Those landscapes push us at the limit of romanticism, in a slow and heavy time, only animated by winter lights.