Courants-Contrecourants, 2002
Serge Clément’s photographs appear as the memory of an intercontinental (American-European) dialogue, where photographs respond between materials, shadows and reflections. They are composed in a spatio-temporal framework that allows us to recreate the quintessence of a contemporary urbanity.
A true artist’s book, Courants – Contourants, can be discovered like the photograms of a film noir whose scenario remains to be invented by each reader.
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