{"id":99892,"date":"2001-03-25T11:28:49","date_gmt":"2001-03-25T09:28:49","guid":{"rendered":"https:\/\/lesaint.abvent.com\/serie\/memories-of-liquid-days-2001\/"},"modified":"2021-03-15T10:30:41","modified_gmt":"2021-03-15T09:30:41","slug":"edges-of-the-world-2001","status":"publish","type":"serie","link":"https:\/\/agencevu.com\/en\/serie\/edges-of-the-world-2001\/","title":{"rendered":"Edges of the world, 2001"},"content":{"rendered":"
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Edges of the world, <\/strong>2001<\/em><\/p>\n<\/div><\/section>\n

Serge Picard<\/a><\/h5>\n<\/div><\/section>\n
Landscapes from the “Edges of the world”, between the land and sea which they explore, could have been realized with a calotype by a contemporary photographer of Gustave Le Gray. But it has been realized nowadays, with their fine greys, stability of the space always shut in a closed frame, organized auround the skyline in the perfect rules of classic composition. Those landscapes push us at the limit of romanticism, in a slow and heavy time, only animated by winter lights.<\/div>\n<\/div><\/section><\/div>
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