{"id":99881,"date":"2011-10-01T11:27:09","date_gmt":"2011-10-01T09:27:09","guid":{"rendered":"https:\/\/lesaint.abvent.com\/serie\/france-fake-2011\/"},"modified":"2021-03-16T10:40:33","modified_gmt":"2021-03-16T09:40:33","slug":"fake-2011","status":"publish","type":"serie","link":"https:\/\/agencevu.com\/en\/serie\/fake-2011\/","title":{"rendered":"Fake, 2011"},"content":{"rendered":"
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Series<\/a><\/p>\n

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Fake,<\/strong> 2011<\/em><\/p>\n<\/div><\/section>\n

Claude Pauquet<\/a><\/h5>\n<\/div><\/section>\n

With the series \u00ab Fake \u00bb, Claude Pauquet puts down his large format camera in the alleys of Parisian fairs of tourism, aeronautics, police forces, car or erotic show.<\/p>\n

He makes it a rule to be slow and patient, a way for him to go against the trend in those exhibition halls where the latest new items soon to be obsolete are presented.<\/p>\n

All is done to put visitors at a furious pace. Each stand, each item is followed by another one\u2026and visitor is allow to stroll without seeing presentation tricks.<\/p>\n<\/div><\/section><\/div>

Assault rifle, gleaming four-wheel drives, simulation of a cruise on the Mediterranean Sea are presented in the same cardboard sceneries, on the same Plexigalss displays.<\/p>\n

An emergency exit cleverly hidden in a brick wall, a al fresco lunch casually arranged on a synthetic lawn or a machine gun which turns out to be a fake are evidences that the photographer aims to question what is really show and the way it is.<\/p>\n<\/div><\/section><\/div>

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