\u201cAs a photographer, my preferred environment takes place in the world of staged photography, a world that visually transforms, by clues, a real event into an artificial set capable of arousing sensory emotions in the beholder.\u00a0\u00a0<\/em>
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\nThrough a modern reinterpretation, Strangely Familiar illustrates the psychological portrait of Julia Pastrana, a woman relentlessly derided and gone down in history as the “bearded lady,” one of the most famous human\u00a0freaks\u00a0of the 19th century. Her husband exploited Julia Pastrana in numerous shows, the most famous “The Ugliest Woman In The World.”<\/em><\/p>\nThis project’s premise is also loosely based on a real-life account in which I was subject to a bells-palsy (paralysis of the nerve that supplies the facial muscles on one side of the face, making the face appear to droop). From this personal situation and all the sudden new perceptions deriving from it, my imagination went beyond myself. The desire to explore\u00a0more permanent afflictions of appearance deviation from the norm and societal reaction to it became compelling. I directed the focus on themes such as attraction, repulsion, isolation, solitude, and the Freudian Uncanny,\u00a0which gives life to an eerie state of conflict and draws the viewer into a psychic territory of disturbance.\u00a0<\/em>
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\nMy personal experience acted as the trigger for my deep considerations on human behavior over the centuries and more precisely on Julia Pastrana\u2019s suffering. It prompted me to think of opportunity injustice caused by identity-socio-psycho-anthropological prejudices and stereotypes. The idea of a psychological self-portrait embodied by the much more complicated story of Julia Pastrana, bearer of all the above issues, could potentially work as a starting point to raise questions about the discomfort with relationships that confronted me. A perturbing perception deriving not only from strangers but also from my own family. Society is still very discriminant and therefore modifies the concept of “dignity.” This and many other layers plaid as sparks in the making of this body of work<\/em>.<\/p>\n.\u00a0<\/em><\/p>\n<\/div><\/section><\/div>
![](\"https:\/\/agencevu.com\/wp-content\/uploads\/2020\/08\/01_BESA24005-2019CL01.jpg\" "From the series \"Strangely Familiar\"")
<\/a><\/div><\/div><\/div><\/div>![](\"https:\/\/agencevu.com\/wp-content\/uploads\/2020\/08\/02_BESA24005-2019CL02.jpg\" "From the series \"Strangely Familiar\"")
<\/a><\/div><\/div><\/div><\/div>![](\"https:\/\/agencevu.com\/wp-content\/uploads\/2020\/08\/04_BESA24005-2019CL04.jpg\" "From the series \"Strangely Familiar\"")
<\/a><\/div><\/div><\/div><\/div>![](\"https:\/\/agencevu.com\/wp-content\/uploads\/2020\/08\/05_BESA24005-2019CL13.jpg\" "From the series \"Strangely Familiar\"")
<\/a><\/div><\/div><\/div><\/div>![](\"https:\/\/agencevu.com\/wp-content\/uploads\/2020\/08\/03_BESA24005-2019CL03.jpg\" "From the series \"Strangely Familiar\"")
<\/a><\/div><\/div><\/div><\/div>![](\"https:\/\/agencevu.com\/wp-content\/uploads\/2020\/01\/06_BESA24005-2019CL16_NEW.jpg\" "From the series \"Strangely Familiar\"")
<\/a><\/div><\/div><\/div><\/div>![](\"https:\/\/agencevu.com\/wp-content\/uploads\/2020\/08\/06_BESA24005-2019CL12.jpg\" "From the series \"Strangely Familiar\"")
<\/a><\/div><\/div><\/div><\/div>![](\"https:\/\/agencevu.com\/wp-content\/uploads\/2020\/08\/14_BESA24005-2019CL07.jpg\" "From the series \"Strangely Familiar\"")
<\/a><\/div><\/div><\/div><\/div>![](\"https:\/\/agencevu.com\/wp-content\/uploads\/2020\/08\/15_BESA24005-2019CL09.jpg\" "From the series \"Strangely Familiar\"")
<\/a><\/div><\/div><\/div><\/div>![](\"https:\/\/agencevu.com\/wp-content\/uploads\/2020\/08\/16_BESA24005-2019CL08.jpg\" "From the series \"Strangely Familiar\"")
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