{"id":207671,"date":"2023-12-29T15:56:59","date_gmt":"2023-12-29T14:56:59","guid":{"rendered":"https:\/\/agencevu.com\/?post_type=serie&p=207671"},"modified":"2024-02-07T11:46:00","modified_gmt":"2024-02-07T10:46:00","slug":"hakanai-sonzai-2023","status":"publish","type":"serie","link":"https:\/\/agencevu.com\/en\/serie\/hakanai-sonzai-2023\/","title":{"rendered":"Hakanai Sonzai, 2023"},"content":{"rendered":"
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Hakanai Sonzai<\/strong>,<\/strong> 2023<\/em><\/p>\n<\/div><\/section>\n

Pierre-Elie de Pibrac<\/a><\/h5>\n<\/div><\/section>\n
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Between December 2019 and August 2020, Pierre-\u00c9lie de Pibrac embarks on a journey to Japan that will give life to two series,\u00a0Hakanai Sonzai<\/em>\u00a0and\u00a0Mono no Aware<\/em>. While the use of color and the subjects chosen may at first seem to oppose each other, the two series should be read as mirrors of each other:\u00a0Hakanai Sonzai<\/em>\u00a0means \u201cI feel myself to be an ephemeral creature\u201d, while the concept of\u00a0Mono no Aware<\/em>\u00a0should be understood as the emotion that seizes us when faced with inanimate objects or transitory nature. It delicately underlines the fragility of things and their melancholy, attempting to capture their essence, it tends to show, through the specific, a collective aesthetic and ideology that is unique to Japan.<\/p>\n<\/div><\/section><\/div><\/div>\n<\/p>\n<\/div><\/div><\/div><\/div><\/div>

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