{"id":144170,"date":"2017-10-16T12:21:31","date_gmt":"2017-10-16T10:21:31","guid":{"rendered":"https:\/\/agencevu-dev.abvent.com\/serie\/oostende-2017\/"},"modified":"2021-04-16T12:35:49","modified_gmt":"2021-04-16T10:35:49","slug":"oostende-2017","status":"publish","type":"serie","link":"https:\/\/agencevu.com\/en\/serie\/oostende-2017\/","title":{"rendered":"Oostende, 2017"},"content":{"rendered":"
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Oostende, <\/strong>2017<\/em><\/p>\n<\/div><\/section>\n

Yvon Lambert<\/a><\/h5>\n<\/div><\/section>\n

Ostend has perhaps never been photographed so accurately.
\nBy small impressionistic touches, the author shows it as it is part of the collective memory of all those who know it more or less. So, let’s move forward without too much risk, each and every one of us!
\nElegantly obsolete, all imbued with melancholy and that indescribable spleen that makes her charm, frozen in time, the “queen of beaches” (or “beach of kings”) has generously given herself to the photographer who has been able to capture her attractions and paradoxes.
\nIn turn urban and seaside, bourgeois and aristocratic, austere and cheeky, traditionally cosmopolitan, Ostend is rich in a unique history that is reflected in the filigree images offered by Yvon Lambert.
\nImmortalized by L\u00e9on Spilliaert and James Ensor, celebrated by L\u00e9o Ferr\u00e9, Alain Bashung and Arno, the city where Stefan Zweig and Joseph Roth as well as Marvin Gaye found refuge has found a new singer in Yvon Lambert.<\/p>\n

Alain d\u2019Hooghe<\/p>\n<\/div><\/section><\/div>

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\nARCHIVES<\/span><\/a>\nCONTACT<\/span><\/a>\n<\/div>\n<\/p>\n","protected":false},"excerpt":{"rendered":"

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