{"id":140458,"date":"2008-04-28T10:40:00","date_gmt":"2008-04-28T08:40:00","guid":{"rendered":"https:\/\/agencevu-dev.abvent.com\/?post_type=serie&p=140458"},"modified":"2021-04-28T10:42:58","modified_gmt":"2021-04-28T08:42:58","slug":"haiti","status":"publish","type":"serie","link":"https:\/\/agencevu.com\/en\/serie\/haiti\/","title":{"rendered":"Ha\u00efti, 2008"},"content":{"rendered":"
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Ha\u00efti,<\/strong> 2008<\/em><\/p>\n<\/div><\/section>\n

Jane Evelyn Atwood<\/a><\/h5>\n<\/div><\/section>\n

The work of the American photographer Jane Evelyn Atwood on Haiti is radically at odds with the imagery of violence and misery that current events regularly impose to evoke this Caribbean country. A break also in the writing of the artist who chooses color to translate her fascination for the Haitian people “incredibly alive and amazing”. Renowned for her long term black and white investigations into prostitution, prison, landmine and AIDS victims, Jane Evelyn Atwood approaches Haiti without prejudice, with a look that she wants to free of any prior influence. Modestly, she discovers people, she observes the daily life of individuals, the diversity of singular lives confronted with the savoir-vivre and the devoir-vivre that poverty and inequality require. She shows the unspoiled beauty of a people who do not abandon themselves to the black sun of fate and constantly reinvent a possible future. Atwood’s Haitian shots, especially his portraits, seem to draw chiaroscuro in broad daylight; the color here does not serve to accentuate a rich chromatic range already present in the viewfinder, but to emphasize contrasts, shadows or lights, which contribute to install a subtle form of intimacy with the universes photographed.<\/p>\n<\/div><\/section><\/div>

“Everything is there; everything that animates the contradictions of the Haitian way of life and the Haitian mal-vivre. Only nothing is given as typical or representative (…). We don’t photograph a country, but photos can be an opening on a country in the form of fragments. Just to show that there are only tiny fragments of the whole life to be seen. “<\/em><\/p>\n

Lyonel Trouillot<\/p>\n<\/div><\/section><\/div>

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The work of the American photographer Jane Evelyn Atwood on Haiti is radically at odds with the imagery of violence and misery that current events regularly impose to evoke this Caribbean country. <\/p>\n","protected":false},"featured_media":140703,"menu_order":0,"template":"","categories":[],"tags":[4022,18653],"photographe":[5584],"section_taxonomy":[5484],"yoast_head":"\nHa\u00efti, 2008 - Agence VU'<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ha\u00efti, 2008 - Agence VU'\" \/>\n<meta property=\"og:description\" content=\"The work of the American photographer Jane Evelyn Atwood on Haiti is radically at odds with the imagery of violence and misery that current events regularly impose to evoke this Caribbean country.\" \/>\n<meta property=\"og:site_name\" content=\"Agence VU'\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/VUagence\" \/>\n<meta property=\"article:modified_time\" content=\"2021-04-28T08:42:58+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/agencevu.com\/wp-content\/uploads\/2021\/04\/03_ATW13605-2005CL16.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1623\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@agence_vu\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/agencevu.com\/en\/#website\",\"url\":\"https:\/\/agencevu.com\/en\/\",\"name\":\"Agence VU'\",\"description\":\"Agency of photographers founded in 1986\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/agencevu.com\/en\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"ImageObject\",\"@id\":\"#primaryimage\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/agencevu.com\/wp-content\/uploads\/2021\/04\/03_ATW13605-2005CL16.jpg\",\"contentUrl\":\"https:\/\/agencevu.com\/wp-content\/uploads\/2021\/04\/03_ATW13605-2005CL16.jpg\",\"width\":1623,\"height\":1080,\"caption\":\"Haiti, Les Gonaives, 2005 Daily life in the seaside town Les Gonaives, devastated by Hurricane Jeanne in September, 2004 and in the poorest country in the world, Haiti. 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