{"id":67884,"date":"2020-09-08T16:39:21","date_gmt":"2020-09-08T14:39:21","guid":{"rendered":"https:\/\/lesaint.abvent.com\/?page_id=67884"},"modified":"2025-09-30T11:35:31","modified_gmt":"2025-09-30T09:35:31","slug":"exhibitions","status":"publish","type":"page","link":"https:\/\/agencevu.com\/en\/exhibitions\/","title":{"rendered":"Exhibitions"},"content":{"rendered":"
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Exhibitions<\/p>\n

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Do you want to rent an exhibition ?<\/strong><\/p>\n<\/div><\/section>
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Discover the catalogue !<\/span><\/span><\/a><\/div><\/p><\/div>
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CURRENT<\/span><\/span><\/span><\/span><\/a>ARCHIVE<\/span><\/span><\/span><\/span><\/a><\/div>
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\n \n Claudine Doury – Amour, une odyss\u00e9e sib\u00e9rienne <\/a>\n \n Centre Jean Moulin, Place Jean Moulin. 33000 Bordeaux <\/span>\n <\/div>\n
\n Claudine Doury travelled to the Far East of Siberia in 1991 and 1997 to document the lives of the peoples living along the Amur River. <\/div>\n
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\n <\/i>\n 4 April 2026 - 31 May 2026<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n Anita Conti \u2014 La mer jamais ne s\u2019oublie <\/a>\n \n Les Champs Libres, Rennes <\/span>\n <\/div>\n
\n As part of the exhibition \u201cLa mer jamais ne s\u2019oublie\u201d at Les Champs Libres in Rennes, which brings together five female perspectives on the sea, its beauty, its mysteries and its fragility, Anita Conti\u2014the first of her kind\u2014is in the spotlight <\/div>\n
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\n <\/i>\n 28 March 2026 - 20 September 2026<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n Guillaume Herbaut – (Faire) face au nucl\u00e9aire <\/a>\n \n Le Delta - Espace Culturel Provincial, Av. Fernand Golenvaux 18, 5000 Namur, Belgique <\/span>\n <\/div>\n
\n As part of the exhibition (Faire) face au nucl\u00e9aire at the Delta de Namur, Guillaume Herbaut presents his 2002 <\/div>\n
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\n <\/i>\n 28 March 2026 - 2 August 2026<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n Denis Darzacq – Act <\/a>\n \n The\u00e2tre La Passerelle, 137 Boulevard Georges Pompidou, 05000 Gap <\/span>\n <\/div>\n
\n Denis Darzacq's photographic work focuses on the interactions between individuals from minority groups\u2014whether social, ethnic, sexual, physical, or psychological\u2014and society.\r\nHis photographs create a dialogue between paradoxical realities, where the search for balance, through the bodies of the models taking position within the frame, becomes a political metaphor. <\/div>\n
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\n <\/i>\n 17 March 2026 - 29 May 2026<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n Proche. Lointain. Incertain. <\/a>\n \n Galerie VU, 60 Avenue de Saxe, Paris <\/span>\n <\/div>\n
\n \u2018Proche. Lointain. Incertain.\u2019 brings together three photographic perspectives on the complex relationship between humans and their environment, from the silence of the American plains to the far reaches of the Arctic. <\/div>\n
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\n <\/i>\n 20 February 2026 - 30 May 2026<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n G\u00e9rard Rondeau – RE\u0301PUBLIQUE <\/a>\n \n Mus\u00e9e du Patrimoine, 591 Route Nationale, GRIMAUD village, 83310 <\/span>\n <\/div>\n
\n The republic is over 200 years old. An overused word, applied to everything, a sometimes imperfect system, a fragile ideal, the republic nevertheless remains resolutely modern. <\/div>\n
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\n <\/i>\n 14 February 2026 - 25 April 2026<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n Camille Brasselet – Alter <\/a>\n \n Le Th\u00e9\u00e2tre Libert\u00e9, Grand H\u00f4tel - Place de la Libert\u00e9 \u2013 83\u00a0000 Toulon <\/span>\n <\/div>\n
\n Th\u00e9\u00e2tre Libert\u00e9 is hosting Camille Brasselet's photography exhibition, Alter, at the Th\u00e9\u00e2tre Libert\u00e9 from January 13, 2026, to April 27, 2026. <\/div>\n
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\n <\/i>\n 13 January 2026 - 27 April 2026<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n <\/div>\n<\/div><\/section><\/div>
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\n \n Bruno Boudjelal \u00a0\u2014 Sur les traces de Frantz Fanon <\/a>\n \n Galerie Ces\u00e0ria Evora, Universit\u00e9 Evry Paris-Saclay <\/span>\n <\/div>\n
\n As Algeria celebrated the fiftieth anniversary of its independence, Bruno Boudjelal wanted to explore the journey of Frantz Fanon, a French psychiatrist and essayist from Martinique who was involved in the struggle for Algerian independence and a thinker on Pan-Africanism, author of The Wretched of the Earth. <\/div>\n
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\n <\/i>\n 2 March 2026 - 19 March 2026<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n Marin Driguez – Taking Care <\/a>\n \n UC Louvain, 1, Place de l\u2019Universit\u00e9. 1348 Louvain-la-Neuve.\u00a0Belgique <\/span>\n <\/div>\n
\n Prendre Soin (Taking Care) is a documentary photography project focusing on Brussels' public hospitals. <\/div>\n
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\n <\/i>\n 5 February 2026 - 19 March 2026<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n Denis Darzacq – Act <\/a>\n \n Galerie Lamazi\u00e8re, 27 rue Thibault-Chabrand - 95240 Cormeilles-en-Parisis <\/span>\n <\/div>\n
\n Photographer Denis Darzacq meets young people and adults with disabilities from a variety of backgrounds ... <\/div>\n
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\n <\/i>\n 10 January 2026 - 21 February 2026<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n St\u00e9phane Duroy – La vie \u00e0 hauteur d’homme <\/a>\n \n Le Parvis, Avenue Louis Sallenave 64000, PAU <\/span>\n <\/div>\n
\n Echoing the tremors of a fragmented world, St\u00e9phane Duroy\u2019s photographs seize the viewer\u2019s imagination with a haunting sense of absence. For over forty years, he has criss-crossed Europe and the United States in the wake of the cataclysms which shaped the 20th century. <\/div>\n
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\n <\/i>\n 21 November 2025 - 21 March 2026<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n Ferhat Bouda – L\u2019homme libre est celui qui veut et qui marche <\/a>\n \n Maison de l\u2019Art\u00a0\u00e0 Grand Bassam, C\u00f4te d\u2019Ivoire <\/span>\n <\/div>\n
\n The exhibition opens with a symbolic space that invites visitors to leave the outside world behind and enter the Amazigh universe \u2014 a world of freedom, memory and movement. <\/div>\n
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\n <\/i>\n 12 November 2025 - 7 December 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n Richard Dumas – 24 images-24 portraits de cin\u00e9ma <\/a>\n \n La Confluence, Pl. Charles de Gaulle, 35830 Betton <\/span>\n <\/div>\n
\n This exhibition brings together 24 photographs which, when placed end to end in a cinema, would represent a fleeting second, followed by another. Like music, cinema is an abstract art form. <\/div>\n
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\n <\/i>\n 8 November 2025 - 3 March 2026<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n Guillaume Herbaut – 10 Years in the Trenches – Ukraine 2014-2024 <\/a>\n \n M\u00e9morial 14-18 Notre Dame de Lorette, Chemin de Lens, 62153 Souchez <\/span>\n <\/div>\n
\n The exhibition \u201810 Years in the Trenches - Ukraine 2014-2024\u2019 presents the work of Guillaume Herbaut, who has been working on the Ukrainian front since the events of Maidan Square in 2014. <\/div>\n
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\n <\/i>\n 7 November 2025 - 4 January 2026<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n L\u2019\u00e9preuve du r\u00e9el, Chapitre 2 : La photographie \u00e0 l\u2019\u00e9preuve de la fiction <\/a>\n \n Galerie VU, 60 Avenue de Saxe, Paris <\/span>\n <\/div>\n
\n Ici, la photographie, loin de retranscrire la simple co\u00efncidence du photographe au monde r\u00e9el, est le vecteur et le langage m\u00eame de la fiction, laissant libre cours \u00e0 la po\u00e9sie, au r\u00e9cit comme \u00e0 l\u2019imaginaire. <\/div>\n
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\n <\/i>\n 6 November 2025 - 3 January 2026<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n Hugues de Wurstemberger \u2014 Humour de pierre <\/a>\n \n Ch\u00e2teau d'If, Embarcad\u00e8re Frioul If, 1 Quai de la Fraternit\u00e9, 13001 Marseille <\/span>\n <\/div>\n
\n Through a dozen black and white photographs taken in the early 1990s, photographer Hugues de Wurstemberger offers a tender and ironic look at visitors to the monument. <\/div>\n
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\n <\/i>\n 1 November 2025 - 15 April 2026<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n Ferhat Bouda – 2005 – 2023 <\/a>\n \n Galerie Zo\u00e8me, 8 rue Vian13006 Marseille <\/span>\n <\/div>\n
\n Ferhat Bouda follows in the tradition of documentary photography. He conducts long-term investigations around the world. <\/div>\n
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\n <\/i>\n 23 October 2025 - 24 December 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n Louise Desnos – Ac\u00e9dia <\/a>\n \n Galerie VU, 60 Avenue de Saxe, Paris <\/span>\n <\/div>\n
\n A l'occasion de la s\u00e9lection de l'ouvrage Acedia de Louise Desnos pour le prix Aperture dans la section premier livre photographique, l'\u00e9quipe de VU' est heureuse de vous convier \u00e0 la pr\u00e9sentation d'un accrochage d'une s\u00e9lection de tirages issus de la s\u00e9rie de la jeune artiste fran\u00e7aise. <\/div>\n
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\n <\/i>\n 23 October 2025 - 15 November 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n Jean-Robert Dantou\u00a0\u2014\u00a0Face \u00e0 ce qui se d\u00e9robe, les clich\u00e9s de la folie <\/a>\n \n Mus\u00e9e Nic\u00e9phore Niepce, Chalon-sur-Sa\u00f4ne, France <\/span>\n <\/div>\n
\n As part of an exhibition exploring the relationship between photography and \u2018madness\u2019, the Nic\u00e9phore Ni\u00e9pce Museum is presenting an excerpt from Jean-Robert Dantou's work, created and exhibited for the first time in the town of Tonnerre. <\/div>\n
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\n <\/i>\n 18 October 2025 - 18 January 2026<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n Denis Dailleux – Portraits en fleurs, impressions indiennes <\/a>\n \n M\u00e9diath\u00e8que Elsa Triolet, 4 Rue de l'Union, 93000 Bobigny <\/span>\n <\/div>\n
\n The Calcutta flower market, also known as Mullick Ghat, is the largest in India and one of the largest in the world. It stretches along the banks of the Hooghly, the western branch of the Ganges, just below the impressive Howrah Bridge. <\/div>\n
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\n <\/i>\n 14 October 2025 - 3 January 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n G\u00e9rard Rondeau\u00a0\u2014\u00a0Chronique d’un festival <\/a>\n \n Maison des Arcades, Impasse du Balladou. 83310 Grimaud <\/span>\n <\/div>\n
\n In 1989 and 1990, the newspaper Le Monde sent G\u00e9rard Rondeau to Cannes to cover the 42nd and 43rd editions of the Festival. <\/div>\n
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\n <\/i>\n 8 October 2025 - 26 December 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n Vincent Catala\u00a0\u2014\u00a0\u00cele Br\u00e9sil <\/a>\n \n Galerie VU, 60 Avenue de Saxe, Paris <\/span>\n <\/div>\n
\n Galerie VU\u2019 is exhibiting part of the \u00cele Br\u00e9sil project to mark the publication of the book of the same name by Dunes. <\/div>\n
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\n <\/i>\n 2 October 2025 - 18 October 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n Guillaume Herbaut – Ukraine, Terre d\u00e9sir\u00e9e <\/a>\n \n Maison de la Photographie, 01 rue Henri Moreau 29200 Brest <\/span>\n <\/div>\n
\n \u2018From a forgotten war to images of a conflict destabilising the world and splashed across the front pages of every newspaper, we discover a people rising up and fighting for their freedom. That's what drives me to continue.\u2019 <\/div>\n
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\n <\/i>\n 19 September 2025 - 22 November 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n Guillaume Zuili – The American Years <\/a>\n \n Palos Verdes Art Center, 5504 Crestridge Road Rancho Palos Verdes, CA 90275 <\/span>\n <\/div>\n
\n The American Years\u00a0is French-born photographer Guillaume Zuili\u2019s love poem to his adopted city of Los Angeles and the desert landscape of Joshua Tree. <\/div>\n
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\n <\/i>\n 13 September 2025 - 15 November 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n MP#05 <\/a>\n \n Galerie VU, 60 Avenue de Saxe, Paris <\/span>\n <\/div>\n
\n Pour clore la cinqui\u00e8me \u00e9dition du Mentorat Photographique du Fonds R\u00e9gnier pour la Cr\u00e9ation avec l\u2019Agence VU\u2019, la Galerie VU\u2019 est heureuse de pr\u00e9senter au public et aux professionnels une exposition des travaux r\u00e9alis\u00e9s par les cinq photographes \u00e9mergents. <\/div>\n
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\n <\/i>\n 11 September 2025 - 18 October 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n L\u2019\u00e9preuve du r\u00e9el, Chapitre 1 : La photographie \u00e0 l\u2019\u00e9preuve de la colorisation <\/a>\n \n Galerie VU, 60 Avenue de Saxe, Paris <\/span>\n <\/div>\n
\n The VU\u2019 gallery is launching a series of exhibitions featuring photographic images produced by the natural intelligence of their authors, insatiable observers of reality. <\/div>\n
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\n <\/i>\n 11 September 2025 - 31 October 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n Denis Darzacq \u2014 Juste au Corps <\/a>\n \n ACentM\u00e8tresDuCentreDuMonde, 3, avenue de Grande Bretagne, 66 000 Perpignan <\/span>\n <\/div>\n
\n The exhibition JUSTE AU CORPS presents, for the first time, twenty years of research by Denis Darzacq. It is structured around three axes. <\/div>\n
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\n <\/i>\n 30 August 2025 - 5 October 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n Samuel Bollendorff \u2014 #Paradise <\/a>\n \n Visa pour l\u2019image, 66000 Perpignan, France <\/span>\n <\/div>\n
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\n <\/i>\n 30 August 2025 - 14 September 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n St\u00e9phane Duroy – Unknown, tentative d’\u00e9puisement d’un livre <\/a>\n \n Rencontres Photo de Gasp\u00e9sie Centre d\u2019artiste Vaste et Vague, 774 Boulevard Perron Carleton-sur-Mer Qu\u00e9bec <\/span>\n <\/div>\n
\n After wandering around Europe for several years, St\u00e9phane Duroy has turned his attention to another terrain, a land of exile for millions of Europeans who have fled Europe and its tragedies: America. <\/div>\n
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\n <\/i>\n 15 August 2025 - 13 September 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n Rip Hopkins \u2014 Another country <\/a>\n \n Festival Ici ou l\u00e0, 24500 Eymet <\/span>\n <\/div>\n
\n Rip Hopkins made the series Another Country about the British in France, those who turned their backs on their homeland to settle in the Dordogne. He shows the life they have built for themselves here, the identity they have acquired and what they think of the country they left behind. <\/div>\n
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\n <\/i>\n 19 July 2025 - 30 November 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n Pierre-Elie de Pibrac \u2014 Handmade Japan <\/a>\n \n Tikotin Museum of Japanese Art, Haifa, Isra\u00ebl <\/span>\n <\/div>\n
\n The museum walls display photographs taken by French photographer Pierre-\u00c9lie de Pibrac during his eight-month journey in Japan, through which he immortalizes Japanese aesthetics in everyday life. <\/div>\n
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\n <\/i>\n 13 July 2025 - 30 November 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n Anne Rearick \u00a0\u2014 True west <\/a>\n \n Cargo\u00a0: Les Photographiques de Saint Nazaire, Saint Nazaire <\/span>\n <\/div>\n
\n Almost a century ago, my great-grandmother, Maggie May Jones, moved from Oklahoma to Boise, Idaho with her husband and children in a trailer that contained most of their possessions. <\/div>\n
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\n <\/i>\n 27 June 2025 - 28 September 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n Lys Arango – Celle que j’imagine <\/a>\n \n Maison de la Vie Associative et Citoyenne du 12e, 181 Av. Daumesnil 75012 paris <\/span>\n <\/div>\n
\n This project was born out of a series of encounters and a need to see ourselves differently. For six months, I spent time with women living in a social housing project in Paris. <\/div>\n
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\n <\/i>\n 25 June 2025 - 28 September 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n Denis Darzacq \u2014 Un voyage merveilleux <\/a>\n \n Coll\u00e9giale Saint Pierre le Puellier, 13 Clo\u00eetre Saint Pierre le Puellier. 45000 Orl\u00e9ans <\/span>\n <\/div>\n
\n All the photographs in this exhibition are the fruit of an aesthetic and formal investigation into the place of the human being in contemporary society. <\/div>\n
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\n <\/i>\n 21 June 2025 - 24 August 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n Narelle Autio \u00a0\u2014 The eyes of her & Place in Between \u2013 The Changelings <\/a>\n \n Abbaye Royale de l'Epau, Route de Chang\u00e9 72530\u00a0Yvr\u00e9 l'Ev\u00eaque <\/span>\n <\/div>\n
\n The photography season at Epau Abbey brings together two series by Australian photographer Narelle Autio: \u2018The eyes of her\u2019 and \u2018Place in Between - The Changelings\u2019. <\/div>\n
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\n <\/i>\n 19 June 2025 - 2 November 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n Brigitte Grignet – Oaxaca <\/a>\n \n Ubi et Orbi. Festival de la photographie et de la ville, Manufacture du Tapis Point de Sedan <\/span>\n <\/div>\n
\n When I was invited to Oaxaca for an artist residency in 2018, it felt like returning to a familiar place. <\/div>\n
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\n <\/i>\n 15 June 2025 - 27 July 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n Fran\u00e7oise Huguier \u00a0\u2014 Afrique \u00c9moi <\/a>\n \n Festival Photo La Gacilly, France <\/span>\n <\/div>\n
\n Her first real encounter with the African continent came in 1989, when she followed in the footsteps of writer-ethnologist Michel Leiris. <\/div>\n
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\n <\/i>\n 1 June 2025 - 5 October 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n Fran\u00e7ois Fontaine \u00a0\u2014 Eden <\/a>\n \n Festival Photo La Gacilly, France <\/span>\n <\/div>\n
\n As part of this year's Leica Prize for New Environmental Photography, awarded to Fran\u00e7ois Fontaine, his Eden series shot in Japan is exhibited at the La Gacilly festival, supported by De l'Air magazine and in partnership with the VU' agency. <\/div>\n
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\n <\/i>\n 1 June 2025 - 5 October 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
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\n \n \n <\/a> \n <\/div>\n
\n \n G\u00e9rard Rondeau\u00a0\u2014\u00a0Fotografie <\/a>\n \n MEF - Museo Ettore FICO, Via Francesco Cigna, 114 \u2013 10155 Torino <\/span>\n <\/div>\n
\n This exhibition brings together portraits of the world of art and cinema taken for the newspaper \u2018Le Monde\u2019 and behind-the-scenes photographs of museums <\/div>\n
\n <\/div>\n
\n
\n <\/i>\n 8 May 2025 - 29 June 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
\n
\n
\n \n \n <\/a> \n <\/div>\n
\n \n Ricard Terr\u00e9 – La mirada reflexiva <\/a>\n \n La Real Academia de Bellas Artes de San Fernando, Alcal\u00e1, 13 28014 Madrid <\/span>\n <\/div>\n
\n The Real Academia de Bellas Artes de San Fernando in Madrid presents an exhibition of works by Ricard Terr\u00e9 from its collections from April 30 to October 19. <\/div>\n
\n <\/div>\n
\n
\n <\/i>\n 30 April 2025 - 19 October 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
\n
\n
\n \n \n <\/a> \n <\/div>\n
\n \n Bruno Boudjelal \u00a0\u2014 Ne mourons pas fatigu\u00e9s <\/a>\n \n Galerie Dityvon, BU Belle-Beille, 11 all\u00e9e Fran\u00e7ois Mitterand \u2013 4900 ANGERS <\/span>\n <\/div>\n
\n Ne mourons pas fatigu\u00e9s... is the intention of a story, that of several migrants met in different cities in France (Marseille) and abroad (Meyrin, Naples, Tunis and Tangiers) to bring back photographic testimonies and stories. <\/div>\n
\n <\/div>\n
\n
\n <\/i>\n 25 April 2025 - 22 June 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
\n
\n
\n \n \n <\/a> \n <\/div>\n
\n \n Marin Driguez – Prendre soin <\/a>\n \n Galerie VU, 60 Avenue de Saxe, Paris <\/span>\n <\/div>\n
\n For more than six years, Marin Driguez walked the corridors and rooms of Brussels hospitals, a discreet witness to a world where suffering, expectation and dedication are intertwined. <\/div>\n
\n <\/div>\n
\n
\n <\/i>\n 18 April 2025 - 2 May 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
\n
\n
\n \n \n <\/a> \n <\/div>\n
\n \n Bruno Boudjelal \u00a0\u2014 Banlieues ch\u00e9ries <\/a>\n \n Palais de la Porte Dor\u00e9e, 293 avenue Daumesnil 75012 Paris <\/span>\n <\/div>\n
\n As part of the Banlieues ch\u00e9ries exhibition, a fragment of the work L \u2018Histoire est \u00e0 Nous, produced by Bruno Boudjelal, L\u2019 Art est \u00e0 Nous and the VU' agency, is being reproduced on a mural. <\/div>\n
\n <\/div>\n
\n
\n <\/i>\n 11 April 2025 - 17 August 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
\n
\n
\n \n \n <\/a> \n <\/div>\n
\n \n Guillaume Herbaut \u2014 Ukraine, terre d\u00e9sir\u00e9e ( 2001-2024) <\/a>\n \n Centre Jean Moulin, Place Jean Moulin. 33000 Bordeaux <\/span>\n <\/div>\n
\n Ukraine is at the heart of Guillaume Herbaut's work, and he has returned there every year since 2001. Through his photos, Herbaut questions the way in which we capture the traces of history and bears witness to the Ukrainian people's fight for freedom. <\/div>\n
\n <\/div>\n
\n
\n <\/i>\n 5 April 2025 - 31 May 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
\n
\n
\n \n \n <\/a> \n <\/div>\n
\n \n Jean-Robert Dantou\u00a0\u2014\u00a0La couleur de la bou\u00e9e – Tonnerre 2017-2022 <\/a>\n \n La Broussaille, Lagathe (lieu dit), 23460 Saint-Martin-Ch\u00e2teau <\/span>\n <\/div>\n
\n La couleur de la bou\u00e9e is an exhibition resulting from research five years in the town of Tonnerre (Yonne) by documentary photographer documentary photographer Jean-Robert Dantou as part of a doctorate in Sciences Arts Creation Research. <\/div>\n
\n <\/div>\n
\n
\n <\/i>\n 5 April 2025 - 26 April 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
\n
\n
\n \n \n <\/a> \n <\/div>\n
\n \n Guillaume Herbaut \u2014 Wroclaw <\/a>\n \n Coll\u00e8ge La Rochefoucauld, 3 avenue du g\u00e9n\u00e9ral de Gaulle. 60140 Liancourt <\/span>\n <\/div>\n
\n During a three-day residency in Wroclaw, Poland, at the initiative of Diaphane, Guillaume Herbaut initiated a real experiment, transforming the city into a still life whose codes we find in several images. <\/div>\n
\n <\/div>\n
\n
\n <\/i>\n 31 March 2025 - 12 May 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
\n
\n
\n \n \n <\/a> \n <\/div>\n
\n \n Lys Arango – In conversation: A photographic dialogue between Ara G\u00fcler and Lys Arango <\/a>\n \n Leica Gallery Madrid, Calle Ortega y Gasset 34 28006 Madrid Espa\u00f1a <\/span>\n <\/div>\n
\n To mark Leica's centenary and as part of the worldwide celebrations, Leica Gallery Madrid is pleased to present the exhibition \u2018In conversation: A photographic dialogue between Ara G\u00fcler and Lys Arango\u2019. <\/div>\n
\n <\/div>\n
\n
\n <\/i>\n 20 March 2025 - 24 May 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
\n
\n
\n \n \n <\/a> \n <\/div>\n
\n \n Marin Driguez – Prendre soin <\/a>\n \n Reset Atelier, Place Sainte-Gudule 5, 1000 Bruxelles <\/span>\n <\/div>\n
\n For more than six years, Marin Driguez walked the corridors and rooms of Brussels hospitals, a discreet witness to a world where suffering, expectation and dedication are intertwined. <\/div>\n
\n <\/div>\n
\n
\n <\/i>\n 15 March 2025 - 13 April 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
\n
\n
\n \n \n <\/a> \n <\/div>\n
\n \n Bruno Boudjelal \u00a0\u2014 Le cousin Jacques, Mon histoire est ici <\/a>\n \n La Capsule, Centre culturel Andr\u00e9 Malraux, 10 av Francis de Pr\u00e9ssens\u00e9 93350 Le Bourget <\/span>\n <\/div>\n
\n In collaboration with La Capsule since the beginning of 2021, Bruno Boudjelal has been taking up a residency in Le Bourget and neighbouring towns. <\/div>\n
\n <\/div>\n
\n
\n <\/i>\n 11 March 2025 - 31 May 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
\n
\n
\n \n \n <\/a> \n <\/div>\n
\n \n Denis Darzacq – En pleine lumi\u00e8re <\/a>\n \n Le Carreau du Temple, 2 rue Perr\u00e9e. 75003 PARIS <\/span>\n <\/div>\n
\n For the Everybody Festival, Denis Darzacq is exhibiting four series of photographs in which the body and gesture come face to face with the principle of disruption. <\/div>\n
\n <\/div>\n
\n
\n <\/i>\n 14 February 2025 - 18 February 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
\n
\n
\n \n \n <\/a> \n <\/div>\n
\n \n Guillaume Herbaut – Ukraine, la mort dans l’\u00e2me, exposition collective <\/a>\n \n Espace culturel Lympia 2, 2 quai Entrecasteaux, 06300 Nice <\/span>\n <\/div>\n
\n Journalist and exhibition curator Christian Buffa has commissioned nine photographers, including Guillaume Herbaut, each with a different style and angle of view, to bear witness to the fury of the conflict and the violence unleashed, but also to the resilience and humanity of the Ukrainian people. <\/div>\n
\n <\/div>\n
\n
\n <\/i>\n 8 February 2025 - 13 March 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
\n
\n
\n \n \n <\/a> \n <\/div>\n
\n \n Denis Darzacq – Chor\u00e9graphie sportive allegretto <\/a>\n \n Passerelles, 17 rue Saint-Clair - 77340 Pontault-Combault <\/span>\n <\/div>\n
\n To coincide with the 2024 Paris Olympics, the Centre Photographique d'Ile de France asked Denis Darzacq to take photographs of residents of Pontault-Combault who are active in sport. <\/div>\n
\n <\/div>\n
\n
\n <\/i>\n 8 February 2025 - 11 April 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
\n
\n
\n \n \n <\/a> \n <\/div>\n
\n \n Martin Bogren \u2014 Tractor boys <\/a>\n \n Le Carr\u00e9 d\u2019Art, 1 rue de la Conterie \u2013 35131 Chartres-de-Bretagne <\/span>\n <\/div>\n
\n This exhibition is being presented as part of the 36th Rennes M\u00e9tropole Travelling film festival, which this year is putting a special spotlight on Swedish film production. <\/div>\n
\n <\/div>\n
\n
\n <\/i>\n 31 January 2025 - 12 April 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
\n
\n
\n \n \n <\/a> \n <\/div>\n
\n \n Des arbres <\/a>\n \n Galerie VU, 60 Avenue de Saxe, Paris <\/span>\n <\/div>\n
\n La Galerie VU' pr\u00e9sente une exposition collective autour de la th\u00e9matique des arbres. <\/div>\n
\n <\/div>\n
\n
\n <\/i>\n 23 January 2025 - 28 February 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
\n
\n
\n \n \n <\/a> \n <\/div>\n
\n \n Lys Arango – Until the Corn Grows Back (Guatemala) et The River Ran Black (Asturias) <\/a>\n \n Al Majaz amphitheatre, Al majaz 3, Sharja 82828, Emirats Arabes Unis <\/span>\n <\/div>\n
\n Two series by Lys Arango are on show in the Al Majaz amphitheatre as part of Xposure: \u2018Until the corn grew again\u2019, Guatemala, and \u2018The river flowed black\u2019, Asturias. <\/div>\n
\n <\/div>\n
\n
\n <\/i>\n 20 January 2025 - 26 February 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
\n
\n
\n \n \n <\/a> \n <\/div>\n
\n \n St\u00e9phane Duroy – From the heart of the city <\/a>\n \n Galerie Buchkunst Berlin, Oranienburger Str. 27 10117 Berlin <\/span>\n <\/div>\n
\n Galerie Buchkunst Berlin presents the group exhibition \u2018From the Heart of the City\u2019. The exhibition brings together a selection of photographers working on the changing face of urban territories: Berlin, Hong Kong, New York, Chicago, Paris, Kyoto and the suburbs of Johannesburg. <\/div>\n
\n <\/div>\n
\n
\n <\/i>\n 18 January 2025 - 22 February 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div>
\n
\n
\n \n \n <\/a> \n <\/div>\n
\n \n Michel Vanden Eeckhoudt \u2014 Zoologies <\/a>\n \n Le Carreau, Cergy, France <\/span>\n <\/div>\n
\n Michel Vanden Eeckhoudt's photography is a unique way of combining the light-hearted with the tragic. Much of his work focuses on our relationship with animals, and we often smile at the incongruous situations in which they are caught. But make no mistake, the world he shows is often a dark one, and it's really about the human condition... <\/div>\n
\n <\/div>\n
\n
\n <\/i>\n 14 January 2025 - 2 March 2025<\/span>\n <\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n \n
\n
\n 1<\/span><\/span>\n2<\/span><\/a>\n…<\/span>\n9<\/span><\/a>\n<\/i><\/span><\/a> <\/div>\n<\/div><\/div>\n<\/div><\/section><\/div>
<\/span><\/span><\/div><\/p>\n<\/div><\/div><\/div>\n<\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"inline_featured_image":false},"yoast_head":"\nExhibitions - Agence VU'<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Exhibitions - Agence VU'\" \/>\n<meta property=\"og:site_name\" content=\"Agence VU'\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/VUagence\" \/>\n<meta property=\"article:modified_time\" content=\"2025-09-30T09:35:31+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@agence_vu\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/agencevu.com\/en\/#website\",\"url\":\"https:\/\/agencevu.com\/en\/\",\"name\":\"Agence VU'\",\"description\":\"Agency of photographers founded in 1986\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/agencevu.com\/en\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"#webpage\",\"url\":null,\"name\":\"Exhibitions - Agence VU'\",\"isPartOf\":{\"@id\":\"https:\/\/agencevu.com\/en\/#website\"},\"datePublished\":\"2020-09-08T14:39:21+00:00\",\"dateModified\":\"2025-09-30T09:35:31+00:00\",\"breadcrumb\":{\"@id\":\"#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[null]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"item\":{\"@type\":\"WebPage\",\"@id\":\"https:\/\/agencevu.com\/en\/home\/\",\"url\":\"https:\/\/agencevu.com\/en\/home\/\",\"name\":\"Home\"}},{\"@type\":\"ListItem\",\"position\":2,\"item\":{\"@id\":\"#webpage\"}}]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/agencevu.com\/en\/wp-json\/wp\/v2\/pages\/67884"}],"collection":[{"href":"https:\/\/agencevu.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/agencevu.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/agencevu.com\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/agencevu.com\/en\/wp-json\/wp\/v2\/comments?post=67884"}],"version-history":[{"count":3,"href":"https:\/\/agencevu.com\/en\/wp-json\/wp\/v2\/pages\/67884\/revisions"}],"predecessor-version":[{"id":224666,"href":"https:\/\/agencevu.com\/en\/wp-json\/wp\/v2\/pages\/67884\/revisions\/224666"}],"wp:attachment":[{"href":"https:\/\/agencevu.com\/en\/wp-json\/wp\/v2\/media?parent=67884"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}