{"id":71638,"date":"2020-06-09T12:04:15","date_gmt":"2020-06-09T10:04:15","guid":{"rendered":"https:\/\/lesaint.abvent.com\/?post_type=exposition-a-louer&p=71638"},"modified":"2022-03-17T17:31:54","modified_gmt":"2022-03-17T16:31:54","slug":"chroniques-dun-portraitiste","status":"publish","type":"exposition-a-louer","link":"https:\/\/agencevu.com\/en\/exhibition-for-rent\/chroniques-dun-portraitiste\/","title":{"rendered":"Chroniques d\u2019un portraitiste"},"content":{"rendered":"
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Exhibition for rent<\/a><\/p>\n

\n<\/div><\/section><\/div>\n\n<\/div><\/div><\/main><\/div><\/div>
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Chroniques d\u2019un portraitiste<\/span><\/strong><\/p>\n<\/div><\/section>
\n

G\u00e9rard Rondeau <\/a><\/h5>\n<\/div><\/section>
\n
<\/span><\/span><\/div>
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For more than twenty years, G\u00e9rard Rondeau has photographed numerous personalities, most often for the daily newspaper Le Monde : Patricia Highsmith or Max Bill in Switzerland, Franck Stella, Keith Haring, Louise Bourgeois or Roy Lichtenstein in New York, Antoni Tapies in Barcelona, Baselitz in Germany in his castle and Paul Rebeyrolle in his studio in Burgundy, Nathalie Sarraute, Jacques Derrida, Samuel Fuller, Andr\u00e9 Dh\u00f4tel or Albert Cossery at their homes in Paris, Mohammed Choukri and Paul Bowles in Tangier…
\nWith this series of encounters, Rondeau offers us a trip to the land of culture. His light-impregnated posed portraits are in the realm of intimacy and interiority.
\n“Rondeau uses a concept of portraiture close to that of Manet and C\u00e9zanne.
\nThe faces of Manet and C\u00e9zanne are not the explicit masks of a feeling or
\nof a social state. They give rise to numerous, contradictory and changing suggestions
\nlike every individual.
\nNeither of the waitress at the Bar aux Folies-Berg\u00e8re, nor of Madame C\u00e9zanne, nor of any other of
\ntheir models, it is not possible to say that they are obviously like this or like
\nthat, whether they certainly think this or that. Everything in these works is infinitely more
\ndelicate, everything is infinitely more elusive.
\nIt is the same with Rondeau’s portraits: he acts in the interval between two attitudes
\nand thus gives back to each of those he photographs his depths and his
\nriddles. \u00bb
\nPhilippe Dagen in “Chronicles of a Portraitist”.<\/p>\n<\/div><\/section><\/p><\/div>

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DETAILS<\/p>\n

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The exhibition consists of about a hundred framed prints ranging from 18 x 18 cm to 130 x 130 cm format. It can be modulated according to the place and the scenography.<\/p>\n<\/div><\/section><\/p><\/div><\/div>

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Martin Gropuis Bau, Berlin, 2007<\/span><\/p>\n<\/div><\/section><\/p><\/div>

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Lyc\u00e9e Louis le Grand, Paris, 2007<\/span><\/p>\n<\/div><\/section><\/p><\/div>

<\/div>

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LeParvis, Pau, -2017<\/span><\/p>\n<\/div><\/section><\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div>

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contact<\/p>\n

\n<\/div><\/section>
\n
<\/span><\/span><\/div>
\n
Patricia MORVAN<\/h5>\n

Responsable de projets culturels
\net des expositions<\/p>\n<\/div><\/section>
\n

morvan@abvent.fr<\/a>
\n+33 1 53 01 85 89<\/p>\n<\/div><\/section><\/p><\/div>

<\/span><\/span><\/div>\n<\/p>\n","protected":false},"excerpt":{"rendered":"

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