{"id":215870,"date":"2024-10-16T17:18:52","date_gmt":"2024-10-16T15:18:52","guid":{"rendered":"https:\/\/agencevu.com\/?post_type=actualite&p=215870"},"modified":"2024-10-16T17:20:27","modified_gmt":"2024-10-16T15:20:27","slug":"night-of-photojournalism-in-paris","status":"publish","type":"actualite","link":"https:\/\/agencevu.com\/en\/new\/night-of-photojournalism-in-paris\/","title":{"rendered":"Night of Photojournalism in Paris"},"content":{"rendered":"
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News<\/a><\/p>\n

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Night of Photojournalism in Paris<\/strong>
\nGuillaume Herbaut, Louie Palu, Pieter ten Hoopen et Marin Driguez<\/strong><\/p>\n

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From Saturday 9 November at 6pm to Sunday 10 November at 2am.
\n<\/strong>Amphith\u00e9\u00e2tre Saint C\u00f4me, 5 rue de l’\u00e9cole de M\u00e9decine 75006 Paris<\/p>\n<\/div><\/section>
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As part of the PhotoSaintGermain exhibition in Paris, the Fondation Carmignac, CatchLight and Dysturb are organising the Nuit du Photojournalisme, which will feature discussions, debates and screenings. Guillaume Herbaut’s \u2018Ukraine 2022-2024\u2019, Louie Palu’s \u2018Political contact sheet\u2019, Marin Driguez’s \u2018Taking care (2018-2024)\u2019 and Pieter Ten Hoopen’s \u2018Love Always\u2019 will be screened.<\/p>\n<\/div><\/section>
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More informations<\/span><\/a><\/div><\/p><\/div>
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Guillaume Herbaut <\/a>for Le Monde<\/em> \u2018Ukraine 2022-2024\u2019
\nGuillaume Herbaut continues to travel to Ukraine, tirelessly reporting stories of shattered lives, broken faces, mass graves and villages abandoned to the bombardments.<\/p>\n<\/div><\/section><\/div><\/div><\/div><\/div><\/div><\/div>

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Louie Palu<\/a> \u00ab Political contact sheet<\/a> \u00bb.<\/p>\n

In Washington DC, the political centre of the United States, Louie Palu chronicles the most important American political events of the last five years and puts their political repercussions into perspective.<\/p>\n<\/div><\/section><\/div><\/div><\/div><\/div><\/div><\/div>

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Marin Driguez<\/a> \u00ab Prendre soin (2018-2024)<\/a> \u00bb
\nThe fruit of many years of immersion in the Belgian public hospital system, Prendre soin uses the specific case of this country as a starting point for a broader reflection on the changes in our post-modern societies by confronting us with our relationship to care.<\/p>\n<\/div><\/section><\/div><\/div><\/div><\/div><\/div><\/div>

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Pieter Ten Hoopen<\/a> for the UNHCR \u00ab Love Always \u00bb
\nThe photographs in \u2018Love Always\u2019 depict the different conditions and forms of love of people forced to flee. These stories of love are at once beautiful, heartbreaking and brutal, unfolding in some of the world’s most vulnerable places. More than 110 million people are currently displaced.<\/p>\n<\/div><\/section><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"

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