{"version":"1.0","provider_name":"Agence VU&#039;","provider_url":"https:\/\/agencevu.com\/en\/","author_name":"Fanny Demichelis","author_url":"https:\/\/agencevu.com\/en\/author\/fanny\/","title":"L\u2019\u00e9preuve du r\u00e9el, Chapitre 1 : La photographie \u00e0 l\u2019\u00e9preuve de la colorisation - Agence VU&#039;","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\"><a href=\"https:\/\/agencevu.com\/en\/fat-event\/lepreuve-du-reel-chapitre-1\/\">L\u2019\u00e9preuve du r\u00e9el, Chapitre 1 : La photographie \u00e0 l\u2019\u00e9preuve de la colorisation<\/a><\/blockquote>\n<script type='text\/javascript'>\n<!--\/\/--><![CDATA[\/\/><!--\n\t\t\/*! This file is auto-generated *\/\n\t\t!function(d,l){\"use strict\";var e=!1,n=!1;if(l.querySelector)if(d.addEventListener)e=!0;if(d.wp=d.wp||{},!d.wp.receiveEmbedMessage)if(d.wp.receiveEmbedMessage=function(e){var t=e.data;if(t)if(t.secret||t.message||t.value)if(!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var r,i,a,s=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),c=0;c<n.length;c++)n[c].style.display=\"none\";for(c=0;c<s.length;c++)if(r=s[c],e.source===r.contentWindow){if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(a=parseInt(t.value,10)))a=1e3;else if(~~a<200)a=200;r.height=a}if(\"link\"===t.message)if(i=l.createElement(\"a\"),a=l.createElement(\"a\"),i.href=r.getAttribute(\"src\"),a.href=t.value,o.test(a.protocol))if(a.host===i.host)if(l.activeElement===r)d.top.location.href=t.value}}},e)d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",t,!1),d.addEventListener(\"load\",t,!1);function t(){if(!n){n=!0;for(var e,t,r=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),i=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),a=l.querySelectorAll(\"iframe.wp-embedded-content\"),s=0;s<a.length;s++){if(!(e=a[s]).getAttribute(\"data-secret\"))t=Math.random().toString(36).substr(2,10),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t);if(r||i)(t=e.cloneNode(!0)).removeAttribute(\"security\"),e.parentNode.replaceChild(t,e)}}}}(window,document);\n\/\/--><!]]>\n<\/script><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/agencevu.com\/en\/fat-event\/lepreuve-du-reel-chapitre-1\/embed\/\" width=\"600\" height=\"338\" title=\"&#8220;L\u2019\u00e9preuve du r\u00e9el, Chapitre 1 : La photographie \u00e0 l\u2019\u00e9preuve de la colorisation&#8221; &#8212; Agence VU&#039;\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe>","thumbnail_url":"https:\/\/agencevu.com\/wp-content\/uploads\/2025\/09\/\u00a9-Ouka-LeeleVU-22Desnudo-con-periodicos22-1981.jpg","thumbnail_width":756,"thumbnail_height":1000,"description":"For each of these artists, colorization is applied with unique methods and intentions. Spanish artist Ouka Leele, in the heart of the Movida Madrile\u00f1a, gave free rein to her unbridled creativity by hand-coloring her prints with watercolor, transforming reality into a dimension full of fantasy and deliberately assumed kitsch. Israel Ari\u00f1o entrusts his analog images, taken in Picardy, to Catalan artist Clara Gassull, who works on them using a digital palette of eight colors. Together, they reinterpret the landscape, subtly re-enchanting the territory. Rima Samman works with archival images, whether from her family or the press. Through color, she revives the past, reactivates it, questions memory, and brings new life and meaning to remembrance. Ir\u00e8ne Jonas presents seaside landscapes in three-part sequences. Her oil-painted enhancements on black-and-white prints disturb the very materiality of the images and the elements, creating a kind of vertigo between the intensity of the elements and the slowness of the process.Through added color, photography is never a tautological representation of the reality from which it originates. The artists\u2019 interventions reveal unsettling aspects of the world that our distracted gaze might not have dared to perceive."}