Timisoara is the town from where started the Romanian revolution in december 1989. Twenty years later, it enters, with its country, in the european community. Two groups live together in this town : those from before and those from after the 1989 revolution. To show the two faces of this society, I have photographed Timisoaraâ€™s life machine : industry, commerce, authority, leisure, family. The caption on each photograph indicates the age of the people, some of whom were witnesses of the revolution, witnesses of the truth. Because the true story is still uncertain. In december 1989, following an uprising from the people of Timisoara, the media announce 12,000 people dead, killed by the army and the Securitate, the secret police. There is talk of a genocide. In fact, eighty nine victims were officially counted in Timisoara and six hundred and eighty nine over the country.Since this spectacular manipulation, Timisoara symbolises the doubt towards the images and the media. The staging replaced the information, the fiction has crept into the reportages. Even though a photographic document is suspect by nature, we often want to believe in it. The photographer is manipulated by his subject just as much as the subject manipulates him. By inserting myself in each image, I wanted to raise the question of truth in the photographic image. The fluorescent orange of the shutter release, clearly visible, asserts my intrusion inside the image. I thus sign the making of the document and its origin.At the same time, I try to merge into the image. By dressing up and by behaving like the people photographed, I strive to erase our representations of nationalities and social backgrounds linked to the dress code.
I photographed, I question my position and the imaginary barriers raised by men between them.
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